VIEW IN MY ROOM
Brazil
Photography, Digital on Canvas
Size: 31.5 W x 47.2 H x 0 D in
Ships in a Tube
Shipping included
- FINE ART PRINTINGS - Canvas: Canson Museum Pro Canvas 385 gsm 100% cotton - Printed: HP Z9+ DreamColor mineral pigment - Made in Brazil During the last century, numerous dams were built to satisfy the growing demand for water. Considered as a symbol of modernization and human ability to control and use natural resources, the construction of large dams grew considerably between the 1930s and 1970s. This trend continued until its peak in the 1970s. Since then, the number of dams has decreased. of construction, particularly in the United States and Europe. The five countries with the largest number of dams account for around three-quarters of all large dams in the world and practically two-thirds are found in developing countries, such as Brazil. * Prints on paper: contact directly by email. (Premium Paper Hahnemuhle RAG 308 100% cotton)
Photography:Digital on Canvas
Artist Produced Limited Edition of:20
Size:31.5 W x 47.2 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Brazil.
Customs:Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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Brazil
The commonplace is usually left aside, it is not given due attention. Sounds are ignored, smells are sometimes unpleasant and uncomfortable, and are therefore also ignored. The songs are heard without understanding the poetry or feeling the beat. Thoughts speed up and the days, the minutes, the steps vanish into thin air. The meaning of the routes is lost. The sounds can be deafening, the senses are always heightened, conversations and human contact are latent. The space is covered step by step, often avoiding obstacles, people on the way. Walking blindly is denying what is latent, not realizing that the space is occupied and lives beyond. These are the steps, paths and lives of hundreds of people, including the one who writes these lines. To claim this space, I propose to tell the story of the place that has meaning for them and occupy these spaces, recording them in the time of a photograph.
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