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Digital, Digital on Plexiglass
Size: 23.6 W x 35.4 H x 3.9 D in
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Distortion: portrait #14 edition limité 1/3 "Distortion of identities series. Explore this new paradigm that leads to the abolition of physical borders and thwarts distances. The foundations of identity, solid thanks to their isolation, are today undermined by the end of the distances that have long culturally and ideologically compartmentalized the individual in his construction. By integrating the positive aspects as well as the negative aspects, this series shows how the Internet makes it possible to emancipate the individual in his quest for identity by extracting him from his cultural environment to help him build an identity of his own, but also how this quest blurs the signs of belonging to a cultural community and identity."
2021
Digital on Plexiglass
3
23.6 W x 35.4 H x 3.9 D in
Black
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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“The Internet is one of the greatest advances in history. This technology has created new ways to interact and convey ideas. This has transformed the individual in his relationship to the world.” In an era made up of social networks, widespread digitization and the disembodiment of exchanges, Francisco PEZ explores the consequences of digital and the abolition of physical borders on the construction of identity. With an acid and satirical look, the works of this digital artist show the impact of collective thought on the dilution of one's own identities and the standardization of lifestyles. His artistic approach and his ideas are fully expressed through portraits, which allow him to study the construction of individual identities and their shaping by the economic, social and digital system. Lucid and disillusioned, he pays particular attention to the modern paradox: individualities are more and more withdrawn despite an increasingly open world. Without morals or judgment, Francisco PEZ simply confronts us with the disillusionment and disembodiment of existence in a capitalist system in the digital age.
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