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Bastet – 01-01-19 Drawing

Corné Akkers

Netherlands

Drawing, Color on Paper

Size: 11.7 W x 8.3 H x 0.1 D in

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ABOUT THE ARTWORK

Bastet – 01-01-19 My Egyptian series is an addition to my ‘j’accuse’ painting ‘The Revelation of Bettie Page’. My New Year’s resolution for this year: I dare all algorithms of social media scanning the internet for nipples like the Matrix’s sentinels for Neo. Egyptians were not shy to stand up for their sexuality not ending up in porn and smut. We must stop the display of pink uzis for children on the internet and choose nipples in stead. My Bastet goddess therefor shows a nice pink one. The system will track it soon enough but you as spectator can join John Lennon in singing: “I’m not the only one”. Happy 2019 to everybody! Colored pencil drawing (Pentel 0.5 mm, 3B) on paper (21 x 29.5 x 0.1 cm) - A4 format) Artist: Corné Akkers

DETAILS AND DIMENSIONS
Drawing:

Color on Paper

Original:

One-of-a-kind Artwork

Size:

11.7 W x 8.3 H x 0.1 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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