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details work architeccture and perspective
A landscape invented, created from nothing.
A tribute to architecture and what they call visual defect, perspective.
Which helps us to be, move and understand the space.
A passage with a garden that seems to levitate in a desert at dusk.
Classical sculptures welcome and order the picture symmetrically.
The symmetry as a resounding form of composition.
A cypress as a welcome symbol that goes away forming
Two columns which seem to lose themselves in the landscape.
And a circular plant architecture, like a temple, in the center of the painting, coming out of the water of a pond.
This work is the beginning of a work that was propagated years in my journey as a painter in which I began to work with classical symbols contained in architecture and sculpture.
Treated and taken from their context to give them a new dimension, a new scenario where to locate them.

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Architecture and perspective Painting

Juan Álvarez Cebrián

Spain

Painting, Oil on Wood

Size: 55.1 W x 13.8 H x 1.2 D in

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$1,380

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207 Views

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ABOUT THE ARTWORK

A landscape invented, created from nothing. A tribute to architecture and what they call visual defect, perspective. Which helps us to be, move and understand the space. A passage with a garden that seems to levitate in a desert at dusk. Classical sculptures welcome and order the picture symmetrically. The symmetry as a resounding form of composition. A cypress as a welcome symbol that goes away forming Two columns which seem to lose themselves in the landscape. And a circular plant architecture, like a temple, in the center of the painting, coming out of the water of a pond. This work is the beginning of a work that was propagated years in my journey as a painter in which I began to work with classical symbols contained in architecture and sculpture. Treated and taken from their context to give them a new dimension, a new scenario where to locate them.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

55.1 W x 13.8 H x 1.2 D in

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Juan Alvarez Cebrian. Madrid, 1966. Start painting at a very young age and you will never stop drawing and painting. He also moves within the world of engraving for which he feels a great attraction. For Álvarez Cebrián the Engraving and the Drawing are deeply linked. His painting has always moved within the realistic framework but has made inroads into the world of abstraction. Photography is also part of his way of telling things, it is a great passion.

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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