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Divided Painting

Caroline Burton

New Zealand

Painting, Fabric on Soft (Yarn, Cotton, Fabric)

Size: 35 W x 35 H x 0.1 D cm

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I’m poured out, wrung out, reaching out. And you are always right there, just on the other side of the divide which I have created. Which isn’t really there at all. 30 x 30 cm in white tray frame (outside dimensions: 35 x 35cm) New Zealand Merino Wool and Silk Fibres

Year Created:

2021

Subject:
Mediums:

Painting, Fabric on Soft (Yarn, Cotton, Fabric)

Rarity:

One-of-a-kind Artwork

Size:

35 W x 35 H x 0.1 D cm

Ready to Hang:

Not Applicable

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

New Zealand.

Need more information?

Need more information?

I am a contemporary fibre artist residing in New Zealand, creating abstract artworks. Inspired by a fascination with tiny or hidden details, nuances of light and emotion in our physical and spiritual environment, my work is often informed by my background in engineering. Having always been passionate about expressing my creativity, for the last 5 years I have taken a medium that is traditionally “crafted” and developed my own technique and artistic voice. I find the process of painting and sculpting with unspun fibres fascinating with every new piece that I create. There is an alchemy to the process of transforming wisps of fibre into something with form, structure and strength. Feltmaking is an ancient art form which allows the artist to explore a subject in a unique way. Incredibly fragile at the outset of the process, becoming increasingly tactile and physical as the fibres intertwine and lock together. Becoming fascinated with the fragility and beauty of the fibre art in the early stages of the process, I have recently developed a method of creating and capturing unique, ephemeral fibre art works. These I reproduce as fibre art prints.

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