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Section painting Painting

Ondřej Bělica

Czech Republic

Painting, Wood on Wood

Size: 57.1 W x 41.3 H x 1.6 D in

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About The Artwork

The collection of cut paintings works with this traditional artistic medium in a minimalist and sculptural way. The ornaments are made by cuts with a hand-held Japanese saw. Practically, it is the interposition of a cutting plane with a stretched painting canvas on a wooden frame or a group of canvases. The cut of the canvas creates geometric, modular figures of various formats and compositions. Gesto accentuates the reduction of creative tools and the use of the cut as the most imaginative display method. As it is generally used in architecture and engineering (floor plan, section, side section,...) The result of the section is not destruction, but the doubling of the object - positive - negative. ​ Wooden frame + canvas + japanesse saw, 2022​ Discover more:

Details & Dimensions

Multi-paneled Painting:Wood on Wood

Original:One-of-a-kind Artwork

Size:57.1 W x 41.3 H x 1.6 D in

Number of Panels:4

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. BIO Ondřej Bělica is a multimedia artist working on the edge of art, architecture and design. He creates objects, site-specific installations and architectural structures in the landscape, public spaces and galleries. His work combines elementary principles with new technologies and nature. Naturality and minimalism are the main language in his aesthetics and expression. He studied at the school of non-figurative sculpting and school of architecture at Brno and Ljubljana, where he experienced the collaboration between artists and architects. As a result, he loves to connect art and architecture and creates spatial and contextual artworks on different themes and scales. His work is represented in private collections, galleries and installed in public spaces. Based in Frýdek-Místek and Brno, Czech republic. ARTIST STATEMENT I am artist balancing on the edge of art, architecture and design. I am interested in the intersections of these creating fields and I try to push their boundaries. Significant materials used in my spatial artworks are wood, steel, water and light, which probably come from my homeland in a post-industrial area in the Beskydy mountains. My working process is based on a minimalistic, conceptual and contextual thinking method, which offers me countless possibilities of project media and scale. Connecting natural principles, traditional crafts and new technologies are a characteristic topic in my work and in my relationship to the world. I usually work on the scale of the object, architecture, public space and landscape. In my practice I am experienced in sculpting, architectural design, exhibition design and public space design, where all these skills are present. My studio projects are aimed at rethinking the traditional perspective on painting and sculpture. I love to let the things and materials with their forces act to create the art. In my paintings, water drops on the steel sheets makes natural drawings and daylight makes linear shadows. I am obsessed with penetrating objects and spaces to show new points of view, which are often hidden from everyday reality. I love to invent new perspectives and collaborate with other artists and architects. I believe the best work is born at the borders of connections. At my studio, my mission is to create unique art pieces that explore the beauty of the everyday. I am constantly pushing boundaries and experimenting with new techniques.

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