1132 Views
36
View In My Room
Painting, Ink on Canvas
Size: 80 W x 100 H x 0.1 D cm
Ships in a Tube
1132 Views
36
Artist Recognition
Artist featured in a collection
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
A man reads the newspaper and takes the tea by the sea, in a stream of red ink. Un homme lit le journal et prend le thé au bord de la mer dans un flot d'encre rouge. Red and blue, minimal, minimalist, à plats, fantaisie, collage, newspaper. (voir aussi, même titre, le petit frère en digital)
Year Created:
2013
Subject:
Styles:
Mediums:
Painting, Ink on Canvas
Rarity:
One-of-a-kind Artwork
Size:
80 W x 100 H x 0.1 D cm
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
14-day return policy. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Switzerland.
Need more information?
Need more information?
Christophe Mercier
Switzerland
- Photo: Naples, Italy, March 2019 - Born April 1947, married, 2 children, 5 grand children. - Graduated in economics, then swiss banker in private banking from 1974 to 2007. - Started drawing in travel sketchbooks (self taught) at the age of 48 in 1995, and painting much later in 2007 at the age of 60. - Former "urban sketcher", from 2020, writer of historical novels. My desire to paint comes from the interest for expressing something aesthetic or gaudy, for finding an unstable equilibrium, for experimenting with different approaches, for renewal, testing, trying. Even though I’ve done mini-series, I don’t like to stick to one repetitive process. To me, painting is a dialogue between control and letting go and abstraction is of particular interest because it allows us to to express things that would otherwise escape our senses. It’s still a large field, even though everything is supposed to have already been made.
Artist Recognition
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