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The very special coffee cup. Suitable also as guinomi for sake or other strong drinks. Black clay, white glaze. Good grip, pleasant in hand.

Created in a wabi-sabi aesthetic way.
Handcut, glazed and wood fired at Pottery Park studio Kiln in 2018.

volume about 190 ml
The very special coffee cup. Suitable also as guinomi for sake or other strong drinks. Black clay, white glaze. Good grip, pleasant in hand.

Created in a wabi-sabi aesthetic way.
Handcut, glazed and wood fired at Pottery Park studio Kiln in 2018.

volume about 190 ml
The very special coffee cup. Suitable also as guinomi for sake or other strong drinks. Black clay, white glaze. Good grip, pleasant in hand.

Created in a wabi-sabi aesthetic way.
Handcut, glazed and wood fired at Pottery Park studio Kiln in 2018.

volume about 190 ml
The very special coffee cup. Suitable also as guinomi for sake or other strong drinks. Black clay, white glaze. Good grip, pleasant in hand.

Created in a wabi-sabi aesthetic way.
Handcut, glazed and wood fired at Pottery Park studio Kiln in 2018.

volume about 190 ml
The very special coffee cup. Suitable also as guinomi for sake or other strong drinks. Black clay, white glaze. Good grip, pleasant in hand.

Created in a wabi-sabi aesthetic way.
Handcut, glazed and wood fired at Pottery Park studio Kiln in 2018.

volume about 190 ml
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Guinomi (sake cup) or Coffee cup "Discovery" Sculpture

Paul Fryman

Ukraine

Sculpture, Ceramic on Ceramic

Size: 3.1 W x 2.8 H x 2.8 D in

Ships in a Box

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SOLD
Originally listed for $312
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About The Artwork

The very special coffee cup. Suitable also as guinomi for sake or other strong drinks. Black clay, white glaze. Good grip, pleasant in hand. Created in a wabi-sabi aesthetic way. Handcut, glazed and wood fired at Pottery Park studio Kiln in 2018. volume about 190 ml

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:3.1 W x 2.8 H x 2.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My sources of inspiration are Japanese ceramics, the beauty of the land around me and behavior of the material itself. From wood-fired stoneware I expect to get on the one hand, perpetuation of the raw piece’s beauty, on the other hand, achievement of an extreme degree of firing transformation, one step before (or even after) the material’s destruction. The greatest success for me is an obtaining a harmonious combination of these two mutually contradictory results in one bowl. The clay, the fire and the artist are equal partners in the pot’s creation, giving one infinite wonder. The most exciting moment, the kiln opening, can be compared with a new planet’s discovery, finding a place there was no one before. That’s the reason to make a Chawan.

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