VIEW IN MY ROOM
United Kingdom
Sculpture, Digital on Glass
Size: 57 W x 32 H x 2 D in
Ships in a Crate
This is Thomas' first art piece using real-time data to convey conceptual art. This piece uses a matrix of independent dots where the dots can be either dark, light or off. At its core, the mirror acts as a clock, the hour of the day given by the number of an individual dot colour and the minutes of the day a different tone. Synced to the internet world clock, each minute the mirror rearranges itself creating an entirely new formation that will not repeat itself for millions of years. the goal in mind, to present each viewing a unique and individual experience of the piece. However, numbers are not real; sequences are not real, random number functions are not real. Nothing can be entirely random, except for the distribution of rainfall on a 1×1 meter square. Webb also created a program to control the two colours for both the hour and minute dots. an algorithm which takes the current celsius temperature of the clocks geo-location and uses this to create unique rgb(255,255,255) tones in real-time as the weather reconfigures. with every passing minute comes a new visual expression.
Original Created:2018
Subjects:Time
Materials:Glass
Styles:MinimalismAbstract
Mediums:DigitalInteractiveLEDLights
Sculpture:Digital on Glass
Original:One-of-a-kind Artwork
Size:57 W x 32 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Thomas Webb (b.1991) is a London based new media artist that investigates unexplored applications of technologies as a method for visualising digital artwork in a physical space. Webb works with video game engines, custom-written physics applications and 3D rendering software to recreate themes inside the computer; Hand-building various electronic machines and inventions to re-interpret these virtual artworks into hyper-realistic four-dimensional artworks. Webb challenges the barrier between the viewer and technology used to display computer-generated artwork to create a seemingly technology-free consummation. Webb invented the digital infinity mirror; an innovation of the infinity mirror using high power commercial LED displays, custom-built computer hardware and architectural dielectric glass. This combination of materials realises his vision of a digital medium that shifts in 4-dimensions as a function of each viewers perspective. Inside his artworks, he questions the real-life scenarios and consequences created through our newly acquired, daily use of technology. Harnessing real-time data feeds from mortality statistics, stock market prices and social media feeds to juxtapose a reflection on ultimate contemporary life. He is often touching on themes of mental health, addiction, big data and control as a guinea pig of the internet revolution and asking questions about the various implications of its application on modern society. In 2019 he contributed to the group-show ‘link in bio’ at the Museum of Fine Arts, Leipzig, curated by Anika Meier. He showed a real-time emotion recognition neural net that recreates the viewers facial expression in emojis. He presented a similar body of work for a larger installation in the atrium of Scope international contempiorary art show in Miami Beach during Art Basel. He has contributed to a solo-show, “STRANGERS” (2018) which harnessed real-time data depicting mortality rates and mental health on social media. He is a long-standing artistic collaborator with fashion brand Valentino; Building multiple installations including a six-story monolith in Seoul, South Korea, a triptych motion tracking digital infinity mirror installation in Munich, an AI recognition installation during Art Basel Switzerland, and hologram installations in Tokyo, Japan and Dubai, UAE.
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