Centripetal Landscape Painting

Born in Argentina, Bibiana Ulanosky has been immersed in creative expression since early childhood. Alongside her long-standing career as an architect with her own practice, she has developed a rich and deeply introspective body of work in painting and drawing. Her artistic inquiry centers on femininity and identity. In series such as She, Venus, Woman, and Nymphs, Ulanosky explores the complexities of female sexual identity—merging figuration and abstraction to evoke strength, vulnerability, and transformation. Her landscapes, vivid in color and rhythm, consistently revolve around the motif of the path—not just as a visual element but as a metaphor for emotional and existential movement. These works exist in a state of flux, suggesting temporality, memory, and personal narrative. Ulanosky’s expressive power is evident in the confident line of her drawings and the gestural force of her brushwork. As art critic Mario Kohan has observed, her images seem to radiate from the canvas with an inner light, charged with emotional and spiritual intensity. Despite a lifetime of uninterrupted creation, Ulanosky has intentionally placed art-making above self-promotion. Only in recent years has she begun to actively share her work—offering collectors and curators a unique, mature voice within the contemporary art scene.