Stefano Orzes

The artist considers his art as essentially metaphysical research, hence beyond the experience of the senses, the research
the origins and balance of phenomena and the interconnection between them: “My attempt is to eliminate the
Psychological processes (the purpose of meditation) to an understanding of the Being (Soul-Monade) and its relationship
with the Spirit-God (pantheistic vision). This is exemplified through an inner and symbolic-geometric (theosocio-gnostic) “Objective” research that is deeply shared and therefore universal.
Abstract, geometric and unstable lines intertwine in compositions that seem to escape the physical space of the canvas,
floating in a timeless dimension.

Symbolism
“The word comes from the Greek symbol of the sun-ballein which meaning is to put together, join.
Symbolic language is the universal language that combines inner knowledge with the outside.
There are symbols created by nature and artificial symbols.”
“Geometric figures represent the structure, the backbone of reality: the language of the symbols makes visible the links and correspondences between all the things and creatures of the universe and reveals the profound unity of life in which everything is united and works perfectly in...

Beginning his studies at the Art Institute of Cencenighe Agordino and then at the DAMS of Bologna,
he is increasingly interested in “theosophy”, thus creating a mystical and esoteric component through his symbolism in his work, in search of a universal language.