A reference to primitive art, Africa, tribal art, aboriginal art, passing from Jean-Michel Basquiat to Picasso.

AFRICAN TRIBAL DESIGNS.
A journey in search of African tribal drawings, finding and penetrating one's own IO, in search of one's own sign, one's own artistic path, trespassing limits.

PRIMITIVE ART.
The sign has gradually become more and more rough: a primitive art. The desire to explore that cave hidden inside us. Abandoning the known, stylistic impositions and artistic perfection: an abandonment of the "perfect" sign to get lost in primitive art.

AFRICAN TRIBAL MONSTERS NEO EXPRESSIONISM

ANIMALS AFRICAN TRIBAL

African PastellART contains a collection of modern African works with the use of oil pastels. Shaded, vivid colors, a rough technique, halfway between tattoo and graffiti. Sleepless night among oil pastels on wooden boards, on paper, on canvas.

AFRICAN PASTELLART: A COLLECTION OF CONTEMPORARY AFRICAN ART.
In this collection of Contemporary African Art where the technique is rough, pasty color spreads over the substrate in large areas. Andrea says: I've always been fascinated by the world of spray paint, the use of cans. Here the principle is the same: large expanses of color in oil pastels, pasty, full, oily that is absorbed by the surface of the work.

AFRICAN PASTELLART

The Black African art collection was born from the search for a flat, iconographic painting technique. Conceptually it takes diametrically opposed distances from hyperrealist painting, as any form of painting is an illusory perspective, a distortion of reality, a staggered representation of it.

BLACK AFRICAN ART PAINTINGS.
The form and substance of the image in Black African art paintings are impressed on the canvas by going through a process of dismemberment. Spaces of color take over by seeking their place in expansion.

The color settled on the canvas is ready for a next step: we move on to the use of the stroke, to delimit the shape, to create support between large spaces of color.

BLACK AFRICAN ART

This collection arises spontaneously, there is no style or genre research. Everything happens spontaneously, only to find a trait that takes on contamination, unconsciously absorbed by Keith Haring, and Fabio Vettori (Le Formiche). The desire to play with imaginary characters, a "child" design for adults who have not forgotten their child's soul. The paintings tell of strange characters, with a "monstrous" appearance, but with a sweet heart. They are the new superheroes, which clash with the pitfalls of modern society in everyday life. Cartoon, compressed stories are born, with no apparent logical thread, characters develop that in the future could tell their own story and take more and more personality. It's a good start!

GRAFFITISMO ART AFRICAN

2 Styles is an encounter between 2 divergent, opposite artistic techniques: Andrea's "rough, primitive, tribal, flat" sign contrasts with Tania's "sweet, naive" sign of "sophisticated technique". Tania Sacrato, & Andrea Boscaro si meet in the canvas.

Tania, in love with Dalì, with the art of posters, more spiritual, knows how to look within, to bring the spiritual into art, she uses painting to elevate herself. It is art that manifests itself in an expression of inner content, an inner impulse that transforms the spirit. Expression of inner resonance. Tania is naive, she paints postcards, weaves stories, glides in dreamlike landscapes, unites landscapes, bodies and lives.