Flows the spring into us Painting

Born in Buenos Aires, Argentina.1949. She lives, dreams and paints in Buenos Aires. Argentina. Her first experiences with the arts were upon taking classes from argentine teachers Febo Marti in 1985. She hasn’t stopped since then. She lived in Spain for 3 years 1986-1989 where she learnt drawing and different painting techniques. She continuously keeps improving her skills; she has done different specialization courses. During two years she was part of the “Tea” group in Buenos Aires. 1999- 2000. She was admitted in many municipal, national and private contests where she won 49 awards. Sara paints on canvas, paper, wood, etc. In addition, other artworks by Sara has a creative originality. Since 1999, Diciero has been experimenting with the idea of lighting the artwork from behind. She paints on resin sheets to create the support of her "luminous" boxes or backlights, which she then exhibits in groups as installations. She also makes Digital Art and she draws. Diciero ilustrated .in 2005 the poetry book "Estuario: remotas estancias” by Reyna Armendáriz González Mexican writer and “Yace partido el puente de la niebla” in 2014; “Todo lo que has de olvidar” in 2013 by Chilene writer, and she also illustrated a book for children. Sara was one of staff of the art magazine "5artes" for which she also wrote notes. Nowadays, her artworks can be found in private international collections in countries such as Argentina, Brazil, Chile, Craotia, England, Italy, Mexico, Spain, Peru, Puerto Rico and U.S.A. and figure in many artbooks, art magazines, CDs, websites and publications about Contemporary Art. Many critical of art have expressed about her artworks. Sara Diciero fulfills the impressionist dream of working color as light. In her backligths, the artist filters the iridescence of the neons through a layer of resin where her colored configuration are installed. Using the classic oil paint, the tones not only glow as a consequence of logical luminous reflection of color, but also and certainly strenghtened by the action of real light as color-light.This resource, which now seems to be in vogue even between the most orthodox painters, is present in Diciero's work in an original manner and with personal characteristics.