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Melancholic is one of the four fundamental personality types. After studying the body organs that I was fascinated by and expressing my feelings about them in a series of works titled "Organic Flows, I came across The Four Humors of the body and the corresponding temperaments. This interested me to a degree that I had to express it through my creative process.
This work is on a wood panel and it does not need framing.

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Introspection Painting

Seta Injeyan

United States

Painting, Acrylic on Wood

Size: 45.7 W x 61 H x 1.9 D cm

Ships in a Box

SOLD
Originally listed for $2,010

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Melancholic is one of the four fundamental personality types. After studying the body organs that I was fascinated by and expressing my feelings about them in a series of works titled "Organic Flows, I came across The Four Humors of the body and the corresponding temperaments. This interested me to ...

Year Created:

2020

Subject:
Mediums:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

45.7 W x 61 H x 1.9 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Seta Injeyan is a Los Angeles based visual artist. She is a leading Abstract Surrealist painter. Mat Gleason: "Her newest series of paintings, is a wide-eyed exploration of the very mechanics of the human body. Pulsating with bold, opulent colors and intricate compositions that at turns weave together or juxtapose the titular flows, these paintings reflect, at first sight, Injeyan’s fascination with the workings — and interrelationships — of internal organs. And while this could well serve as a purpose unto itself, as an impetus for a strictly esthetic study of biology, Injeyan pursues a far broader goal, seeking to discover layers and dimensions of meaning beyond the esthetic and scientific alike. "Peter Frank: "But whereas before Seta Injeyan was alarmed about this rude intrusion into empirical reality, she now delights in it. She is no longer badgered by her phantasies; if reality itself can’t be tamed, then she has at least come to accept, if not revel in, its unlikelihoods."

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