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Painting, Acrylic on Canvas
Size: 50 W x 40 H x 2 D cm
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Beginning with an image from a photograph I took at the site of the former mill on Commencement Bay in Tacoma (Old Town), this work attempts to depict moments situated in place following Nishida Kitaro's thought. Hence the title is important: Place: Situational Matrix—Embodiment/Intuition.
2025
Painting, Acrylic on Canvas
One-of-a-kind Artwork
50 W x 40 H x 2 D cm
Yes
Not Framed
Certificate is Included
Ships in a Box
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Taiwan.
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Taiwan
Dean Anthony Brink’s paintings, poetry, and fiction chronicle changing cultural horizons and an impulse to overcome categories—of love, nationality, how we see and are seen. From Tacoma, Washington, raised by an immigrant mother, he is now an immigrant father himself in Taiwan, enjoying dual nationality. Reflecting the complications of living across cultures in the shadow of geopolitics, his poetry and artwork seek to explore paths to peace by way of social and ecological justice, and the building of greater empathy in the world through a sort of traveling humor. Poems have appeared or are forthcoming in Cordite Poetry Review, Ecozon@, Going Down Swinging, New Writing (UK), Nimrod, Plant Perspective, Wayfarer, and many other venues. No Time and Other Poems, plus The Threepenny Space Opera and A Migrant Homecoming is his first collection (Goldfish Press, 2024). He also publishes speculative fiction set in Taiwan and the Pacific Northwest, and is author of several research monographs, including Poetics and Justice in America, Japan, and Taiwan: Configuring Change and Entitlement (Lexington Books, 2021) and Philosophy of Science and the Kyoto School: An Introduction to Nishida Kitarō, Tanabe Hajime and Tosaka Jun (Bloomsbury, 2021).
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