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The Oval Lady Print

Victoria Martos

Spain

Open Edition Prints Available:
Select a Material

Fine Art Paper

Fine Art Paper

Select a Size

12 x 6 in (A$158)

12 x 6 in (A$158)

24 x 12 in (A$221)

Add a Frame

No Frame

Black (A$126)

White (A$126)

Natural Wood (A$126)

Metal: Light Pewter (A$221)

Metal: Dark Pewter (A$221)

No Frame

A$158

109 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

It is a comic based on 4 parts or quadriptych. The parts are independent and can be framed together or separately. Each work is mounted on a black cardboard of 42 x 32 cm and the drawing surface of each part is 34.5 x 22.5 cm. It is a surrealist story based on a Leonora Carrington's short story. Th...

Year Created:

1986

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 6 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My body of work unfolds in a circle. My early interest in portraits as an artistic form, was enhanced after I received a commission. Then I was drawn by the challenging immediacy of artistic commentary and illustration for news-papers, first for El Independiente, then two decades with El Mundo, the two separated by life’s great adventure of motherhood. Closing the circle a few years ago, I set out to deeply explore the human figure. In this series of paintings, backgrounds and figures merge into each other both being protagonists. Before drawing the figure over the canvas with a graphite pencil, I have made several layers of acrylic paint, creating a rich container with an identity of its own in order to take in the main figure. The backgrounds can be abstract or illustrative. I give the finishing touches, to highlight dark and light lines, with brushstrokes of oil paint and black ink. As an illustrator I have experimented with a multitude of techniques always putting them at the service of the transmission of an idea. My work gets nutrition from countless sources, from popular art to cutting edge contemporary art. I can work with a model or from photographs. I do a good deal of investigative research about the person.

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Audrey Wolfe, Assistant Curator