40 Views
6
View In My Room
Fine Art Paper
8 x 12 in ($40)
White ($80)
40 Views
6
Showed at the The Other Art Fair
Artist featured in a collection
"Quiet St" is an oil pastel on paper inspired by a photograph I took in Bath Uk, in 2019, one of our last trips around London before moving back to Italy. I lived in London for almost 3 years and I soon fell in London with the city and its surroundings and the Country history and culture. When my boyfriend and me decided to come back to Italy we made a list of places we wanted to see before leaving UK and Bath was one of the cities we wanted to visit. I had been there already when I was younger so I was happy to go again and make new memories. Bath didn't disappointed us, the city is beautiful, I will always remember the warm color of its stone, its elegant architecture, the spa, the Roman baths, the wonderful tea rooms and bookshops, and our stunning bed & breakfast, Bath Paradise House. We were having lunch at The Raven in Bath when I looked outside the window and this corner caught my eyes, with the yellow sign: "cheesemongers" (which I late discovered being Paxton & Whitfield, Britain's leading cheesemonger for over 200 years, sourcing and maturing exceptional cheeses.) and the added bonus of a girl in red coat passing by. Depicting shop windows is something that I love and the yellow signs and the girls' red coat made me take a picture of that corner. Now that I live in Italy, on the Amalfi Coast, I am looking at all the pictures I took in UK and that I hope to make into artworks, to celebrate a great, happy and creative time for me. London gave me a lot in terms of inspiration and opportunity to develop my artistic skills. Being a feminist I like to celebrate all kind of beauty and to focus on detail of everyday life, like these two girls' outfits here, I think clothes are such a great way to express oneself and communicate with others. It is such a pleasure for me to render details like the shape and colours of one's clothes, or the reflections in the shop windows, and even the signages. I love to include signs and written words in my artworks as they are part of the urban landscape I care for so much. This is the reason why I decide to call this piece "Quiet St", from the name of the street that you can read on the plate on the top right corner. There is only one street named Quiet Street making it unique in Great Britain. "Quiet Street was so named because when it was first developed the road was made up of wooden cobbles instead of stone, making it one of the most peaceful streets in Bath. This was once in Georgian and latterly Victorian days a busy thoroughfare with sedan chairs and carriages busily carrying people between the fashionable houses of Queen Square and Milsom Street. Now replaced with shops, selling a variety of goods from jewellery, ladies fashion and antiques to banks and estate agents, one can see glimpses behind the facades of how life was in the by-gone era." (.htm) This artwork is made with Sennelier oil pastels (again, a tool that I discovered in London), a great brand with a rich history: these pastels were in fact invented for Pablo Picasso, and although he is not among my favourite artists, it is nice to think about walking in the steps of such famous artists, when using them. I like to think as my art more related to artists such as Andy Warhol for the use of colour and focus on everyday life objects, and Edward Hopper, for the way I look at people in an urban context. This, like all the artworks from this series, has been treated with two to three layers of fixing spray; nonetheless I advise to promptly frame it with a glass too, to protect it from the dust. The artwork will be shipped rolled in a tube, I recommend to take it as soon as possible to a framer, to professionally flatten it back and to provide a frame with a glass, as the oil pastel needs to be protected from the dust. Agerola, 10th September 2021
2021
Giclee on Fine Art Paper
8 W x 12 H x 0.1 D in
13.25 W x 17.25 H x 1.2 D in
White
Yes
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"Mary Cinque is an Italian painter, graphic designer and blogger working and living in the Amalfi Coast. Her works – joyful, bright, colourful painting and drawings – are inspired by this place, as well as her heritage, background and travels. Mary spent her childhood between Italy and Ethiopia. Before moving back to the Amalfi Coast in 2019, she has lived in Naples and Milan, where she attended academies of fine art; and Philadelphia, New York and London where she improved her artistic skills and style. Alongside making art, she works as an illustrator and graphic designer, collaborating with selected brands, working on artistic commissions such as illustrations, labels and showroom design. Cinque’s art develops themes connected with what makes us essentially humans: our habitat – the buildings, the streets, the cities – our bodies, what we eat and how we socialise. Art, in Mary’s paintings, becomes a powerful instrument of philosophical investigation which reveals who we really are by questioning our habits, observing those characteristic traits we share as a species, often without realising it. The artist looks at human beings from a different perspective, making interesting and significant what can seem normal or banal to us in our everyday life: the buildings that populate our cities, the streets we walk, people sitting across our table at a café, strangers on the bus. In this nutshell interview by Giulia Corti, Mary Cinque explores some of the most relevant aspects of her art and reflects on how it offers an intriguing and informative perspective about the way we live as human animals. Mary, your art is colourful and vivid, it mixes human and urban subjects by making use of various techniques (oil painting; pastel drawing, markers, “digital” drawing, print-making etc.) and materials (canvasses, magazine pages, an I-pad screen). How do you choose the means with which to develop an artwork and how do the different materials and techniques influence what you want to convey, if they do? Different subjects call for different techniques. Buildings and urbanscape are always acrylic on canvas, while I prefer to depict people using a quicker, immediate approach, like the one that I can get with markers and oil pastels or digital painting. By looking at the main themes of your art, it is possible to notice what seems to be a tension. On one hand, you portrayed the stillness and artificiality of urban landscapes and buildings (e.g.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, London
Artist featured by Saatchi Art in a collection
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