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Canvas
16 x 20 in ($120)
Black Canvas
White ($160)
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This acrylic painting depicts the climactic transformation scene in the 1961 Hammer Film - "The Curse of the Werewolf", starring Oliver Reed. "The Curse of the Werewolf" is based on the novel 'The Werewolf of Paris' by Guy Endore. The film was made by the British company Hammer Film Productions and was shot at Bray Studios on sets that were constructed for the proposed Spanish inquisition themed "The Rape of Sabena", a film that was shelved when the BBFC objected to the script. While the original story took place in Paris, the location of the film was moved to Madrid to avoid building new Parisian sets. The leading part of the werewolf was Oliver Reed's first starring role in a film and composer Benjamin Frankel's score is notable for its use of twelve-tone serialism, rare in film music. It was also the first werewolf film to be shot in color.
Giclee on Canvas
16 W x 20 H x 1.25 D in
17.75 W x 21.75 H x 1.25 D in
White
Black Canvas
Yes
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Jonathan Morrill is a Hollywood-based artist. Jonathan Morrill creates artwork that is merely a potpourri of what God, motion pictures, and Mother Nature have already produced. Newmarket, New Hampshire, Provincetown, Massachusetts, Saint Petersburg, Florida, and Hollywood, California, are the four major locations where Jonathan Morrill has studied and honed his illustrative abilities. His acrylic works of many a tinsel-town icon have graced the walls of La-La Land's great haunts, including Hollywood Forever Cemetery and The Hollywood Wax Museum. His Hollywood Icon portraits are exhibited at Creature Features Gallery in Burbank, The Carter-Sexton Gallery in North Hollywood, The Art Parlor in North Hollywood, Crafted in the Port of Los Angeles, The Aquarium of the Pacific in Long Beach, Orland International Airport, The Tonga Hut Tiki Bar in North Hollywood, and Crackskulls Coffee and Books, in Newmarket, New Hampshire. From childhood memories to celluloid dreams, from monsters and Mai Tais to cryptozoology, from forgotten time chords in dusty places to unknown realms hiding in space, Jonathan Morrill creates work born out of intense concentration and effortless thoughtlessness. These works are threaded and infused with colors that change upon the luminance they're given, which make them appear different to every eye.. Contemporaries, instructors, teachers, and collaborators include Yvonne Anderson, Ray Nolin, Jack Barrett, Gregory Gillespie,Harvey Dodd, Lance Rodgers, Frank Dietz, Jonathan Blum, Lee Musselman, Eric October, Robert Gasoi, Paul Gasoi, Steph Gorkii, and Gary Wortzel.
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