VIEW IN MY ROOM
Serbia
Painting, Oil on Canvas
Size: 35.4 W x 35.4 H x 1.2 D in
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Expressive painting of Yellowstone Grand Prismatic Spring,the largest hot spring in the United States, and the third largest in the world.The mats produce colors ranging from green to red; the amount of color in the microbial mats depends on the ratio of chlorophyll to carotenoids and on the temperature gradient in the runoff. In the summer, the mats tend to be orange and red, whereas in the winter the mats are usually dark green.The center of the pool is sterile due to extreme heat.
Original Created:2017
Subjects:Nature
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:35.4 W x 35.4 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Serbia.
Customs:Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.
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Irena Bijelich Gorenjak (1972, Belgrade, Serbia) makes paintings and mixed media artworks.By applying abstraction, Bijelich tries to approach a wide scale of subjects in a multi-layered way by using a large number of materials sand, stone, plaster, zeolite, earth, pigment, paper, canvas, acrylic, oil...She likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. Her paintings directly respond to the surrounding environment and uses experiences from the artist as a starting point.Often these are framed instances that would go unnoticed in their original context like hole, crater, circle, cracks, cleft...By exploring the concept of landscape in a nostalgic way, she creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. Her works establish a link between the landscape’s reality and that imagined by its conceiver.These works focus on concrete questions that determine our existence.With a conceptual approach, she investigates the dynamics of landscape, including the manipulation of its effects and the limits of spectacle based on our assumptions of what landscape means to us.Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination. Her works doesn’t reference recognisable form.The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted.By rejecting an objective truth and global cultural narratives, she creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position. Her work urge us to renegotiate painting as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society.
Artist featured by Saatchi Art in a collection
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