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detail : metronome
detail : photo model
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In a single frame 29.5x21 inches (40x30 cm)
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Indestructible Times - Collage

alain clément

France

Collage, Paper on Paper

Size: 8.3 W x 11.6 H x 0.1 D in

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$320

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About The Artwork

Man Ray's "object to destroy", a simple metronome on which a eye's photo was placed , was effectively destroyed by a visitor during the exhibition ! Man Ray then invests the insurance money in an edition of 50 copies, renamed "Objects indestructible", some of which appear in the collections of major Museums. This collage of surrealist inspiration imagines this object, temporally eternal but extended with a different suggestive photo, in an environment of Roman catacombs or Egyptian cavities

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:8.3 W x 11.6 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.

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