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It's late Autumn and the foliage is dying down for the Winter yet each seedhead is the potential for life next Spring a natural fact that I find exciting each time this happens and all by itself without any help from little 'ole me. this piece is created from ripped papers from magazines straight on the top of a reclaimed canvas. We have three layers here the background layer of cow parsley in silhouette, middle layer of poppies with door knob designs used to create them and the foreground of a grass in seed set against a strong patterned end of Summer skyline. Goodbye faithful friends sleep well till we meet again.
It's late Autumn and the foliage is dying down for the Winter yet each seedhead is the potential for life next Spring a natural fact that I find exciting each time this happens and all by itself without any help from little 'ole me. this piece is created from ripped papers from magazines straight on the top of a reclaimed canvas. We have three layers here the background layer of cow parsley in silhouette, middle layer of poppies with door knob designs used to create them and the foreground of a grass in seed set against a strong patterned end of Summer skyline. Goodbye faithful friends sleep well till we meet again.
It's late Autumn and the foliage is dying down for the Winter yet each seedhead is the potential for life next Spring a natural fact that I find exciting each time this happens and all by itself without any help from little 'ole me. this piece is created from ripped papers from magazines straight on the top of a reclaimed canvas. We have three layers here the background layer of cow parsley in silhouette, middle layer of poppies with door knob designs used to create them and the foreground of a grass in seed set against a strong patterned end of Summer skyline. Goodbye faithful friends sleep well till we meet again.
It's late Autumn and the foliage is dying down for the Winter yet each seedhead is the potential for life next Spring a natural fact that I find exciting each time this happens and all by itself without any help from little 'ole me. this piece is created from ripped papers from magazines straight on the top of a reclaimed canvas. We have three layers here the background layer of cow parsley in silhouette, middle layer of poppies with door knob designs used to create them and the foreground of a grass in seed set against a strong patterned end of Summer skyline. Goodbye faithful friends sleep well till we meet again.
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VIEW IN MY ROOM

Life in Death (seedhead)- study piece collection Collage

Danielle Vaughan

United Kingdom

Collage, Paper on Canvas

Size: 22 W x 18 H x 2.5 D in

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Originally listed for $310
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About The Artwork

It's late Autumn and the foliage is dying down for the Winter yet each seedhead is the potential for life next Spring a natural fact that I find exciting each time this happens and all by itself without any help from little 'ole me. this piece is created from ripped papers from magazines straight on the top of a reclaimed canvas. We have three layers here the background layer of cow parsley in silhouette, middle layer of poppies with door knob designs used to create them and the foreground of a grass in seed set against a strong patterned end of Summer skyline. Goodbye faithful friends sleep well till we meet again.

Details & Dimensions

Collage:Paper on Canvas

Original:One-of-a-kind Artwork

Size:22 W x 18 H x 2.5 D in

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Within her Arts Practice, Danielle Vaughan explores sexuality, gender roles and celebrity status through her use of ripped papers, fabrics and paint. With a background in Design, Vaughan began her assemblage /collages as an exploration of her early experiences of a childhood in a frugal and misandrist environment. In her portraits she recasts men as boys with their illusion of power and her females with the parts of femme fatales. In an abstract way this can also be viewed within her landscapes and wildlife images through her use of deliberate text within the layers of ripped and torn paper. This art peels away the layers of conventional art processes and invites the viewer to investigate past the surface image to the darker levels underpinning the façade. Vaughan plays with surprises , with ‘gallow humour” and pathos at play in both images and titles. She has made appearances on both television and radio and recently appeared on Sky’s ‘Portrait Artist of the Year’ (January 2018) where Noel Fielding chose her portrait to take home. Vaughan has a strong desire for equality of access to quality arts experiences for everyone and has developed an extensive participatory practice alongside her own work.

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