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detail: man's arm
detail: erotic nightlife
In a frame 17.7x13.8 inches (45x35 cm)
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Mulholland Drive Collage

alain clément

France

Collage, Paper on Cardboard

Size: 8.9 W x 11.8 H x 0.1 D in

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$320

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56 Views
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About The Artwork

In reference to the moist and suggestive atmosphere of David Lynch's film ... On a vacant lot in the hills of Hollywood, with the lights of the city of Los Angeles in the distance, a young woman is stretched out, sensual. Only her long legs are visible under a blue veil that swells the breeze, as well as a hand that encloses her waist. From this veil that runs through the entire collage emerges the enormous arm of another man who has come out of who knows where? who lies down in a possessive gesture in this erotic atmosphere ... This collage dated 2006 was modified this year 2020. A print signed and numbered II / V (A4 format on HP Premium paper) of the work before transformation will be attached to the shipment in case of purchase.

Details & Dimensions

Collage:Paper on Cardboard

Original:One-of-a-kind Artwork

Size:8.9 W x 11.8 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.

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