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Appendix 7 - Bad Relationships Drawing

Lavinia De Ayr

United Kingdom

Drawing, Pencil on Paper

Size: 4.6 W x 6.5 H x 0 D in

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About The Artwork

Peace Conserved Victory Systemic Abuse? Now they are holding packets of written work Something about how they are doing tells me they know I am looking! Where did all my reports go? Underneath the guise of a job They are cruising For a look in Till they can pounce in And do something Not So Pleasant CONCENTRATE ON THE VIBRATIONAL ENERGY Every time I go out It is like regression therapy Tune in Tune out Two Sons Radio's & Timber locks! They had done something Which will keep them, and their generations busy making Quilts Bed spreads And Valance sheets For the rest of their natural lives That area The areas Of trends & Opulence Wage Packets Interruptions She is now in the latest neighbourhood Causing horn blowing Noise disturbances Geometrical areas Prowlers & Poachers Bad decisions making Self distractions What is it that keeps those of us that do stuck in such bad relationships? That invisible hold Until the day you finally let go! Where, and when does their hold take you over? Which then makes you look back at who, and what Brings up questions as to why? Reputation almost sullied Yet bygones never seem to be bygones Professional startups Unexpected relationship comes about Finally ends But years later Professional jealously The knowledge you are still under their jealous, possessive restriction What makes it possible for them to get to someone? Is now trying to mess with current opportunity So much pressure is given It becomes easier to stay in To avoid being trampled by their vision Out of work because of it Years later back in work because of it As they driver rings around you Whatever you do Though the bad relationship is through They move on too But somebody is still doing something around you To you They come carrying transparent packts Like a threat Like a reminder of where the sketching, and writing first happened A taxi waits like a request Please say..... Please pray Somebody, or something happens Life has yet to properly reset Somebody else Did Something else It is To only Hope We can all heal, and move forward Art can just be about colour! Contemplation is upon: What actually keeps anyone in a bad, painful, self destroying relationship? What is that invisible hold? What is it exactly that takes you out of your innate sense of security, into the arms of danger, addiction, disrespect, and ongoing torment? Subject matter references visual intimidation The locations are a mixture of memories, emotions, of heartbreak, disrespect, living with, and through a self defeating attitude, and personal achievement! Pencil as a medium allows for so much manipulation, the style is a split scenes which has references of duality's.

Details & Dimensions

Drawing:Pencil on Paper

Original:One-of-a-kind Artwork

Size:4.6 W x 6.5 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in London. From kitchen table top, to connecting to the market place creating a hub of creativity. I have had the opportunity and privilege to live and experience many different area's in England and addresses in and around London, living in different social conditions, with a different set of challenges and joy's at each location. These experiences continue to be the biggest influence and inspiration for my work to date, inspiring imaginative impressions, which translate into expressions of fictional characters, and decorative designs. Whilst I did attend formal schooling, I did manage to achieve leaving secondary schooling without qualifications. Later gaining qualifications by investing in vocational training. I initially took up sketching to help me with clothes design, attending a local community college, it was a cheaper option as a young parent at the time. I come from a background of naturally creative people, where things like clothes were made without patterns, or any prior preparation for design. It was a time of instinctive survival, with a jump in and get it done way of living and thinking, learn on the go type of attitude toward life. Writing poetry plays the role of being my first point of creativity, it is a combination of free flow journal writing, "free flow" is a method of unblocking personal expression. Examples of this is the pen sketch and textile remnant journals, where poetry, meaningful sayings, and short messages meet. Expressing myself through writing journals, poetry, and even finding a way of writing threw creating an image, led me to explore painting as a further means of deeper self expression, exploration and release. What emerged is a spontaneous method of painting, composition admittedly is not a study in every piece initially, but emerges in the form of allowing a subject to develop in a space, in whatever form or position it takes. Coming from the era where Art was not seen as a proper job, taking that notion on - for a long time. I struggled to come terms with art as anything other than frivolity, despite being a creative. To understand my work further; The experience behind the creative process. Throughout my life as a child to present day I have been effected by the collection of behaviours known as Stalking. As a child and teen I witnessed others experiences.

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