VIEW IN MY ROOM
United States
Drawing, Ink on Paper
Size: 30 W x 22.5 H x 0.1 D in
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Artist: Jay Worth Allen Title: “Ladies’ Swim Club” (late 2023) approx. 30” H x 22.5” W (76.2cm x 57.15cm)* Pen and Ink on watercolour paper. [Black ink on textured, heavy-weight White Strathmore 400 Cold Press Watercolor Paper with feathered deckle edges on two sides.] Line Art. “Ladies Swim Club” is a unique work from an evolving new body of work minimalistic in substrate yet full in communicating volumes — in which the artist, Jay Worth Allen, “decided to see how little I could paint, or draw, on a white surface and still have the movement, the emotion, the image, the moment, the communication fully without lacking anything in the translation of the piece to the eye of the beholder.” Immediately we see the full-length bodies of five nude ladies, standing arm-in-arm, backs facing the canvas, a series of curving vertical lines shape the dispensation of each individual woman, not only in form, but insinuate an emotional state of mind and the manner in which each is engaged with the situation as well as others around her — five complete unique individuals with unique attributes experiencing this particular moment in time — combined together, give a beautiful picture portraying both a common innocence and intimate moment between these five ladies. Please visit “View From Outside My Studio Window” to read more about this fascinating new series from an eloquent, established master of visual works, Jay Worth Allen. *[Sizes listed are approximate to within 1/16 to 1/8 inch (.0625” to .1250”), as each sheet is unique.]
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:30 W x 22.5 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
— Artist Statement — I was born. When I was about 6, I started drawing. Later, I started painting. That's still what I'm doing. What I know, I put into my work. I am interested in visible or tangible things that ARE, rather than Opinion. In my work, there are pre-formed, conventional, depersonalized, factual elements — impartial objects. I am concerned with the wholeness of a thing remaining within the boundaries of knowledge. It is within this boundary that I strive to conceal and reveal known objects at the same time. We have an existing language of words, signs, symbols, shapes, formulas, treatises, poems and the like — whole bodies of belief and knowledge that can, presumably, describe and penetrate anything and everything. Yet, I am forced to recognize that the system which enables me to form a piece of art and to think coherently cannot define how I uniquely think or feel, or even how I picture myself and everything outside myself. The plane of my work has always been real things — REAL MOMENTS RESTING IN TIME, where the ideational and perceptual worlds intersect to form image, idea, icon, and space, and — where I, and therefore the viewer, is projected through to another reality. Technique is inextricably tied to the content of my work. By working in all mediums, I work with numerous techniques. As a painter, acrylic is my medium of choice. My 3D & sculptural materials range from chicken wire to wood to concrete blocks to whatever material I find in my field of sight. The methods I use in printmaking (woodblock, silkscreen, blueprints, lithographs) all combine multiple processes. For me there is no hierarchy among these mediums and techniques; yet, drawing is the foundation for all my work. It’s is the way I speak the best, the clearest. — Brief Bio — On March 6 (the anniversary of Michelangelo’s birthday), J. Worth Allen (“Jay”) was born in Daylight, Tennessee. He grew up in Austin. Studied in Memphis, London, Oxford, New York, Los Angeles—. Has exhibited in New York, Texas, California, London, Edinburgh, France, and beyond. At 16, he was accepted into the top 3 art schools in the nation, each, with full scholarships: Pratt Institute/Fine Art, The Art Institute of Chicago and The Art Academy in Memphis, which won out (via a cartographical nudge from his dad).
Artist featured by Saatchi Art in a collection
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