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Looking Down Drawing

Robin Kerr

United States

Drawing, Pencil on Paper

Size: 18 W x 22 H x 0.1 D in

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Originally listed for $354
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About The Artwork

This work is created using soft-core pencil, pastel, acrylic paint and graphite on high quality mixed-media paper. Some shape element are created using hand cut vinyl stencils; some textures are created using pigment chip smudging and color overlays, and other variations are created by scraping, erasing or wiping off medium to reveal what's underneath. There is no intent that the art looks like something specific. Rather, it is the results of things experienced, observed and felt everyday. In this case case, the final work felt to me like looking down, from a distance, onto a landscape that included a deep well.

Details & Dimensions

Drawing:Pencil on Paper

Original:One-of-a-kind Artwork

Size:18 W x 22 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Website: www.Illustriousplay.com Instagram: @kerrrgi ART TECHNIQUE I am a self-taught artist working in a variety of mediums; acrylic paint, textile collage, wax pencil, pastel, ink and graphite, to name a few. My surfaces also vary – sometimes paper, sometime canvas, mostly wood panel. My techniques include painting with rags, a lot of resist work, sgraffito, wax paper transfers and tons and tons of smudging. ART INSPIRATION My abstract art has two components; a reflection of everyday experiences and another element that I think is due to the fact that I am an accidental immigrant. My husband and I left New Zealand many years ago for a trip around the world. Our first stop was San Francisco. Then we moved to Portland, Oregon. Then, we never left. Being an immigrant means, no matter which home you are in, you are slightly apart. You are always wondering if you are missing something because an experience or event that would provide context is not available because it happened in the other home when you weren't there. I think my art reflects that. Mixed-media aside - there is always some sort of mash up; big bold obvious elements and much smaller tentative elements you can only see when you are close up. It’s as though I am positive and unsure at the same time. Which, in the end, creates a level of tension, perhaps even unease. Hopefully it also makes the work more interesting because things are not exactly as they first appear.

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