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Netherlands
Drawing, Pencil on Paper
Size: 11.7 W x 8.3 H x 0 D in
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Roundism – 08-05-18 I found this great reference picture on which the model was heavily backlit, distorting her figure in the centre of it. That was the starting point of finding abstract forms, almost like a translucent structure. I added a more cheakier smile and of course a cat. The main thing however was to find a way of arranging diagonals and horizontal / vertical structures – straight and curved into a compelling composition regardless of the figurative meaning of it all. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers
Drawing:Pencil on Paper
Original:One-of-a-kind Artwork
Size:11.7 W x 8.3 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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