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A Variable Man Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 36 H x 1.5 D in

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About The Artwork

“But Thomas Cole wasn’t listening. He was bent over the schematics, an intense frown on his weathered face. His long fingers moved restlessly over the schematics, tracing wiring and terminals. His lips moved as he calculated.” “Too bad he had to work with Sherikov. He had never liked the man. The big Polish scientist was an individualist, refusing to integrate himself with society. Independent, atomistic in outlook. He held concepts of the individual as an end, diametrically contrary to the accepted organic state Weltansicht.” “Slowly, they turned and looked at each other. Then down at the box in Steven’s hands. They gazed at the box in growing awe. Awe mixed with dawning fear.” “In the center of the lab Icarus rose up, the gray squat cylinder that someday would flash through space at a speed of thousands of times that of light, toward the heart of Proxima Centaurus…” “‘It will end,’ Reinhart stated coldly, ‘as soon as Terra turns out a weapon for which Centaurus can build no defense.’ ‘Every weapon has a defense. Design and discord. Immediate obsolescence. Nothing lasts long enough to—‘“ “First contact, a hundred years earlier, had ignited instant conflict between Proxima Centauran outposts and exploring Terran raiders.” “Cole took a deep breath and let it out again slowly. ‘I fix things. All kinds of things. Any kind.’ Earl sneered. ‘Nobody fixes things. When they break you throw them away.’” “The globe was finished. A faint glow of pride moved through the variable man. The globe was the finest job he had ever done.” -Philip K. Dick (The Variable Man)

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 36 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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