VIEW IN MY ROOM
Japan
Painting, colored pencil on Wood
Size: 28.3 W x 44.9 H x 3 D in
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I made this piece to celebrate friendship. A large group of my friends in Japan were gathering in Chiba City for an annual get-together. I decided that a group small exhibition at a nearby gallery called Space Galleria would be good so that friends could see what we did and others could enjoy the talent in our group. I purposefully made this one large and impactful because I wanted people to be wowed as soon as they walked in (this is only the top half but the two halves are also powerful on their own and the measurements are for three panels stacked vertically with a total size of 114 x 218 x 2.5 for the top half). This top half was also in a group show in Kyoto and won the KBS (Kyoto Broadcasting System) prize. Even other artists are amazed to learn that this has been drawn/painted in coloured pencil and not oil or acrylic paint and they then get as close as possible and squint to check out exactly how it has been made. It never fails to bring a smile to people's faces. Every time I look at it, something different in it catches my eye. And yes, a lot of pencils died in making this. Wooden panels are used for many reasons. I like being able to draw or scribble with as much energy or pressure as I like. This applies to erasing huge sections as well, since I often delete huge sections so that those marks and colour provide a base for the next layers. This is called pentimento and prevents the colour from sitting flat on the surface. Another economical reason is that frames are incredibly expensive and heavy. These panels might look large but they are actually quite light and can be hung on a wall with two pushpins per panel. Colour has also been applied to the sides to finish the piece without a frame. The overall size is quite large, but the piece breaks down to three panels on the top and three on the bottom. Each of the three panels in one half could easily be displayed by itself or side by side the others with space or no space in between. Instead of shipping a painting that is more than two metres long, it is much easier to ship a stack of three panels and much easier to carry them into a room. Why coloured pencil? I enjoy taking what is oft regarded as something children use and instead making fine art with it. The physicality of the pencil on the surface, the line, the control, the fact that it is paint in a stick...all of these things are what I enjoy. The drawing/painting grew organically. I never know what it will look like in the end, and that is fine with me. As long as it brings beauty and joy into the world.
Multi-paneled Painting:colored pencil on Wood
Original:One-of-a-kind Artwork
Size:28.3 W x 44.9 H x 3 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Japan.
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Born in Canada but currently residing in Japan. As a visual artist, Michelle Zacharias always seem to be on the outside looking in. Is she now a Canadian artist or a Japanese artist? She works primarily in natural pigments such as dust, coloured pencil, photography, and mixed media. Recent work shows the anthropocene and how dust is everywhere but affected in content and colour by individual environments and also how it affects colour in our daily environments. Why dust? Living and working in the shadow of a large chemical plant combined with winds bringing in "yellow dust" with attached particles of industrial pollution from China for many years resulted in allergies plaguing the artist throughout the year. Pollen from nature's flower and trees becomes an issue when covered in pollutants, and her artwork shows how that natural beauty might be sprinkled with spots of darkness that are partly natural and partly manmade. Dust sounds unappealing and ugly, but beautiful sunsets result from dust in the air. This dust becomes a natural pigment when traditional Japanese paint-making techniques are used. Black ink or coloured pencil can either spotlight or imitate the dust in artwork. In contemporary art, dust has been sprinkled in other mediums but rarely has it been as featured before Zacharias's art. Zacharias continues to explore how dust can be both used as a medium or suggested when using other mediums. Zacharias comes from a printmaking background and continues the detail used in her etchings regardless of the medium. Coloured pencil was a natural extension of that and also one that was much safer to use. Zacharias enjoys using unconventional materials and elevating their status to that of beauty.
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