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Fate's Passage Painting
Canada
Painting, Oil on Canvas
Size: 18 W x 24 H x 2 D in
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About The Artwork
The scene takes place in the Jardin des Plantes in Paris. At the end of the light dappled gravel path is the Museum of Natural History. The ‘Museum’ is on this side of the doorway, not through it. The mother and her young son are going out through ’Fate’s Passage’. As she exits, she slowly becomes the space around her. The man standing at the doorway is the museum’s greeter. The astronaut has recently arrived, confused but intrigued. Near the exit, the shadow of a stooped Churchill leans heavily on his cane and the grey figure of an arrogant Napoleon standing on the balcony both suggest that they been guests of the museum for quite some time. This ‘Museum’ is a spectre of our future. Last thing I remember, I was Running for the door I had to find the passage back To the place I was before "Relax, " said the night man, "We are programmed to receive. You can check-out any time you like, But you can never leave! " Hotel California - The Eagles
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:18 W x 24 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Surrealist Painter Exact prices available upon request - contact the artist: r.vanderhorst@sympatico.ca The paintings of Robert Vanderhorst envision a world where psychological, social and material processes are intimately entwined. While figurative, his work typically rejects static pictorial spaces and linear narratives. Instead, a cumulative, serial or recombinant approach is evident in much of his work. The resulting imagery is alternately familiar and estranged, direct and mediated, traditional and unconventional. At play are subjects that are suspended in an imaginary environment that creates an implicit tension in the painting. Vanderhorst's environments are both transformative and in the process of transformation "” perpetually perched on the edge of becoming something else.
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