VIEW IN MY ROOM
Fruehling in Berlin Rueckweg (way back) Painting
Germany
Painting, Oil on Canvas
Size: 39.4 W x 78.7 H x 3 D in
Ships in a Crate
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Artist featured in a collection
About The Artwork
Nothing compares to the cherry blossom in Tiergarten Berlin in the spring time. I wanted to paint it in an impressionistic manner. I was in Berlin and had a court date. In the morning my plane arrived and I had two hours time. I asked the taxidriver, what can I do in two hours. Well you can take a look to the cherry blossom on your way to the court. I had never heard of. He brought me to a special place at Tiergarten and - yeah - what a view. I took a mobilephoto of my way to and my way back. This is the way back to the court. The rain came up, sky got grey. One hour late I got wet. Fruehling in Berlin (2016) oil on canvas 78.7 x 39.4 inch, 200 x 100cm www.eckhard-besuden.de You can also look at the artists homepage www.eckhard-besuden.de if the painting is still available. If you find the mark “in private property” the painting is still sold SORRY. If you find the mark “in artists property” the painting is still available, you should contact us. Or if you find the mark of another webside of one of the artists galleries you can buy the painting at the gallery, please contact the gallery.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 78.7 H x 3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de
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