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Hercules V Cerberus Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 12 W x 16 H x 0.5 D in

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About The Artwork

Hercules (/ˈhɜːrkjuliːz, -jə-/) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name Hercules. In later Western art and literature and in popular culture, Hercules is more commonly used than Heracles as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Hercules is known for his many adventures, which took him to the far reaches of the Greco-Roman world. One cycle of these adventures became canonical as the "Twelve Labours", but the list has variations. One traditional order of the labours is found in the Bibliotheca as follows: Slay the Nemean Lion. Slay the nine-headed Lernaean Hydra. Capture the Golden Hind of Artemis. Capture the Erymanthian Boar. Clean the Augean stables in a single day. Slay the Stymphalian Birds. Capture the Cretan Bull. Steal the Mares of Diomedes. Obtain the girdle of Hippolyta, Queen of the Amazons. Obtain the cattle of the monster Geryon. Steal the apples of the Hesperides. Capture and bring back Cerberus. His 12th and final labor was to descend into the underworld, and bring back Cerberus, the three-headed dog who guarded the gate to underworld, home of the powerful god, Hades. Hercules knew how much Hades loved that fierce, bad tempered dog. Hercules asked Hades' permission to briefly capture Cerberus, and told him why. Hades agreed that Hercules could try, as long as he used no weapons and did not hurt poor Cerberus. Hercules used his bare hands. He scooped all three heads up at once, and strangled Cerberus until he was unconscious. He gently carried the dog off to King Eury's. Cerberus began to regain consciousness as Hercules approached the king. The king scurried behind his royal throne. Hercules explained he had to get the dog home right away. King Eury stuck his head out from behind his throne and quickly agreed that Hercules should leave immediately. Hercules promised to be right back. After Hercules delivered Cerberus safely home, Hercules quickly returned to the palace, eager to be granted immortality. But Hera was nowhere to be found. Neither was King Eury. It was Zeus who granted Hercules immortality. Zeus proudly brought his son Hercules up to the heavens. In Greek mythology, Cerberus (/ˈsɜːrbərəs/; Greek: Κέρβερος Kérberos [ˈkerberos]), often referred to as the hound of Hades, is a multi-headed dog that guards the gates of the Underworld to prevent the dead from leaving. He was the offspring of the monsters Echidnaand Typhon, and was usually described as having three heads, a serpent for a tail, and snakes protruding from multiple parts of his body. Cerberus is primarily known for his capture by Heracles, one of Heracles' twelve labours. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:12 W x 16 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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