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Iridia 3 Painting

Kevin Harper

United Kingdom

Painting, Acrylic on Canvas

Size: 19.9 W x 23.9 H x 1.5 D in

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About The Artwork

The Iridia series of paintings were evolved to give the viewer the time and space to enjoy the pure experience of seeing colour. We can all appreciate colour as we see it around us. A flower, a sunset, a piece of clothing, but there’s often no time to deepen our feeling for colour. These paintings can be a place to let the mind explore the experience colour. Some have said it reminds them of watching a log fire. They also can also give a lift to a day as we repeatedly pass by them. I know because I wall-test them myself. In dark times, some radiant colour can be very welcome. They evolved from paintings I made 'in secret', (as part of an Art Noir story that I was composing/living) while working abroad, to keep myself sane! Search Aartworksee on Instagram. I wanted to lay out 'Iridia 3' as an approximately symmetrical pattern. Random inaccuracies crept in from left to right, but the symmetry seemed to give it a presence all of its own. However, it is still a pattern, and human beings love to try and make sense of such things. The following text is common to each painting in the Iridia series. The Iridia paintings are the result of a long development, using acrylic paint on canvas to achieve an original experience of colour for the viewer. Repeated stripes allow for three or four colours to mix on the canvas, with a surprising range of results. Every stripe is hand-painted, partially overlapping the previous colour once it has dried. I use an adapted T square as a guide, to get the straightest stripes possible, but a distraction, or lack of focus, can lead to a fault which can ruin the whole painting and mean starting all over again. However, the process is a great opportunity to clear and still the mind and become lost in the evolving painting. My search for the series name took me to Greek mythology. The Goddess of the rainbow, the nearest visual equivalent to these paintings in the natural world, was called Iris, but I found that she had an assistant, called Iridia. Her name name gives us many words that describe effect of light on colour, and so her name seemed right for these works. I also liked that she helped Iris, and I hope that these paintings will help the viewer to enjoy colour more personally. Form is not key here. The stripes are not supposed to suggest something from reality, though associations can of course happen. These paintings exist to invite the eye of the viewer to move between the colours, without attachment, making for a simple meditative effect. These works could be described as Minimalist. They are not at the extreme end of that genre, but they do seek to draw out the simple essence of something, (here it is the direct experience of colour for the viewer), while avoiding distraction. For the Iridia paintings, the stripes can be laid out in one of two ways: 1. The earlier ones are basically an improvisation. Each colour was applied one at a time across the canvas. I would make choices, conditioned by the colours to come and the space available to them. 2. Some stripes are applied in a sequence or pattern, from left to right, following a plan. I created a very modified paint formula, so that the colours are still vibrant, but also transparent and very thin. Light is not only reflected from the surface, but also passes through the paint and is bounced back out again by the white canvas or the colour beneath, adding to the richness. I then put the finished painting on the wall in my house and lived with it for a time. If it caught me each time I passed, or it let me enjoy the colours and lose myself for a little while, then I knew that, for me, it had worked. These are paintings for an intimate setting, where you can pass close to them, or be near them, throughout the day. Your distance and angle of view, and the lighting at each time of day can often bring out a new aspect of the colours. If I’m feeling a little tired or frazzled, I’ve found these paintings raise my spirits, and it would be my greatest joy if other people experienced the same thing. All Iridia paintings are ready to hang, as box canvases, with any hardware to be supplied by the buyer to suit their situation. The paintings are shipped in a strong case, made from recycled wood products, which is sealed in a waterproof mailing envelope. The image size represents the dimensions of the canvas, as the white canvas border is integral to the image. The size of the painting in the room setting is only approximate. Please refer to the accurate measurements.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19.9 W x 23.9 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

私は、数年前にとても幸せな一ヶ月を過ごした日本の人々に届けることを願って、この不完全な翻訳を提供しています。気に入ったら教えてください! (If you click the little Instagram icon below my photo, you'll find plenty of interesting images of my other work, plus an Art Noir photo-story. (私の写真の下にある小さな Instagram アイコンをクリックすると、私の他の作品の興味深い画像と、アール ノワールのフォト ストーリーがたくさん見つかります。) Being creative is the thing that makes me happiest. I was brought up in an artist/maker household, so it's always been a part of my life. クリエイティブであることが私を最も幸せにします。私はアーティスト/メーカーの家庭で育ったので、それは常に私の人生の一部でした。 Originally I studied and trained in photography. I work as an audio engineer and film maker. I've always made art in my own time. もともと私は写真を勉強し、訓練を受けていました。私はオーディオエンジニア兼映画制作者として働いています。私はいつも自分の時間にアートを作ってきました。 What I admire most about the artists I like is their ability to start from a simple idea or set of self-made rules, and then to develop artworks from them, following a creative path. 私が好きなアーティストについて最も尊敬しているのは、単純なアイデアや独自のルールから出発し、そこから創造的な道をたどって作品を発展させていく能力です。 I use any medium to translate an idea into reality. I've made artworks ranging from figurative oil paintings to conceptual installations. 私はアイデアを現実に変えるためにあらゆる媒体を使います。私は比喩的な油絵から概念的なインスタレーションまで、幅広い作品を制作してきました。 I'm currently producing abstract watercolours, as a follow on to my Art Noir hybrid story on Instagram. Search there for 'Aartworksee' (2 'A's) to find out more or click the Instagram icon. It features photography, story telling, painting and video to speculate about a dystopian society where art is suppressed. Unfortunately, this is still a reality for artists in some parts of the world. 私は現在、Instagram のアール ノワール ハイブリッド ストーリーの続きとして、抽象的な水彩画を制作しています。そこで「Aartworksee」(「A」が 2 つ)を検索して詳細を確認するか、Instagram アイコンをクリックしてください。写真、ストーリーテリング、絵画、ビデオをフィーチャーし、芸術が抑圧されているディストピア社会について推測します。残念なことに、世界の一部の地域のアーティストにとって、これは依然として現実です。 I am happy to discuss commissions. コミッションについて喜んでご相談させていただきます。 Watashi wa, sūnenmae ni totemo shiawasena ikkatsuki o sugoshita Nihon no hitobito ni todokeru koto o negatte, kono fukanzen'na hon'yaku o teikyō shite imasu. Kiniittara oshietekudasai! (Watashi no shashin no shita ni aru chīsana Instagram aikon o kurikkusuruto, watashi no ta no sakuhin no kyōmibukai gazō to, āru nowāru no foto sutōrī ga takusan mitsukarimasu. ) Kurieitibudearu koto ga watashi o mottomo shiawaseni shimasu. Watashi wa ātisuto/ mēkā no katei de sodattanode, sore wa tsuneni watashinojinsei no ichibudeshita. Motomoto watashi wa shashin o benkyō shi, kunren o ukete imashita.

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