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Lynnette Brink 1 Painting
Germany
Painting, Oil on Canvas
Size: 51.2 W x 55.1 H x 2 D in
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About The Artwork
Lynnette Brink is an artist colleague of mine. I like her photo's. When I want to paint a portrait of an artist I normally take one work of her or him. This one is Lynnette's peony.It seems misleadingly easy to trust Lynnette's peony. Her peony does not give it's viewers a sense of distinction as cultural eaters, as connoisseurs of theatrical achievements. But then, on closer inspection, it allows its viewers to sink into a colorful speculation, a sensual advance into a transcendence beyond saleable art. It makes it possible to experience listening inward, listening outward beyond the world, a form of cultural-critical sobering. Flowers please, mostly because of positive associations. Although their appearances are not based on any aesthetic decision and they are simply the result of evolution and biological expediency, they are aesthetically pleasing. They are built symetrically and their forms are consistently based on regularities such as the golden ratio or the Fibonacci series. That is what makes my painting so unplannable, it remains a plea for the truth of the moment.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:51.2 W x 55.1 H x 2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de
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