VIEW IN MY ROOM
Italy
Painting, Acrylic on Paper
Size: 15.7 W x 23.6 H x 0 D in
Ships in a Tube
The turritopsis dohrnii, a small species of jellyfish native to the Mediterranean, is commonly known as the "immortal jellyfish". Immortality does not reside in the external aspect, that which is external decays, only the soul is eternal and not subject to transience. Work exhibited in the personal exhibition "The Allegories of Love" in Paris in 2015 at the "Neri Contemporary Art" gallery
Original Created:2015
Subjects:Health & Beauty
Materials:Paper
Styles:Pop ArtModernPortraiture
Mediums:Acrylic
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:15.7 W x 23.6 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Manuel Pablo Pace, artist based in Bassano, trained at the Academy of Fine Arts in Venice and at the Sociology University of Trento. Contemporary portrait painter, develops his painting through a national and international path: Spain, the United States, Germany, Chile, France, England and Italy host his works. He has participated in international group shows and international art fairs such as Art Verona, Scope New York, Blooom Art Fair Cologne, Parallax Art Fair London. In 2008 he joined the artistic collective INFART in Bassano Del Grappa as artistic director and collaborates with Italian curators and art galleries. Described as "the optimistic portraitist" in "Excellent Painters - The diary of Italian living painting" (C. Langone), Pace focuses his artistic research on revisiting the classic theme of the portrait, vigorously investigating the relationship between the person and the landscape, between the subject and the territory, with an apparently "hyper-realistic" vein, which hides messages of profound aesthetic sensitivity. In 2017 it became part of the prestigious The Bank Contemporary Art Collection.
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