VIEW IN MY ROOM
Germany
Painting, Oil on Canvas
Size: 78.7 W x 55.1 H x 2 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
Truth is not transcendental, but always something this-worldly. The truly happy moment is thereby never the moment in which someone calls himself "happy". Enzensberger has clarified this in his poem "Further reasons for poets to lie". The words want to designate something, but they are only signs. They never become the thing itself. The medieval theologian Roscelin also knew this, that words are only "flactus vocis" the breath of the voice. They feign authenticity, but do not create reality, come too early or too late. That the artists even lie is already a reproach of Plato. In his "Politeia" (the state) he deals with Homer. The poet is only capable of imitating mimesis. In the conversation with Glaucon he explains his example of the chair. The artist can paint the chair only as imitation. He pretends the chair. So also my sea in it’s beauty. 2022 Meer 2 oil on canvas 79x55inch Wahrheit ist nicht transzendental, sondern immer etwas Diesseitiges. Der wahrhaft glückliche Augenblick ist dabei niemals der Augenblick, in dem sich jemand „glücklich“ nennt. Enzensberger hat dies in seinem Gedicht „Weitere Gründe dafür, dass die Dichter lügen“ verdeutlicht. Die Wörter wollen etwas bezeichnen, aber sie sind nur Zeichen. Sie werden niemals zur Sache selbst. Das wusste auch schon der mittelalterliche Theologe Roscelin, die Worte seien nur „flactus vocis“ der Hauch der Stimme. Sie täuschen Authentizität vor, schaffen aber kein Realität, kommen zu früh oder zu spät. Dass die Künstler sogar lügen, ist schon ein Vorwurf Platons. In seiner „Politeia“ (der Staat) setzt er sich mit Homer auseinander. Der Dichter sei lediglich zur Nachahmung der Mimesis im Stande. Im Gespräch mit Glaukon erläutert er sein Beispiel des Stuhles. Der Künstler kann den Stuhl nur als Nachahmung malen. Er täuscht den Stuhl vor. So auch mein Meer in seiner Schönheit.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:78.7 W x 55.1 H x 2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de
Artist featured by Saatchi Art in a collection
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