VIEW IN MY ROOM
United Kingdom
Painting, Oil on Wood
Size: 11.7 W x 16.5 H x 0.8 D in
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The Nocturne Paintings are part of a series of monotone paintings in range of colours using a technique of rubbing or scratching away the paint surface to reveal a human form; essentially a drawing in paint. Historically this type of image - particularly those using brown tones such as Raw Sienna and Van Dyke Brown - would be the first layer or 'ebauche' of a figure painting. Interestingly Rubens who drew in both ochre and gray paint would often leave large portions of this first layer to show through in his final paintings. The reddish brown underpainting would also be used to create what are known as optical grays - bluish gray tones created by scumbling semi-transparent white paint over a reddish/brown ground creating the effect of mid-tone shadows. My work is somewhere between painting and drawing - concerned with gestural immediacy and the physical attributes of paint which would become the lietmotif of Modernist painting. Although not explicit, the work of Degas and his pupil Sickert were clearly at the back of my mind, in particular the latter's Camden Town nudes. www.donaldshort.co.uk
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:11.7 W x 16.5 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Although American by birth I have lived in the United Kingdom since I was a small boy. Although my work is broadly figurative and concerned with imagery, my work also expresses my interests in painterly abstraction. The image therefore often has to compete for dominance with the process by which it is being made; creating a tension between the surface/medium and the image itself - what Clement Greenberg liked to call 'dialectic tension'. The image wins every time, but the process is never the same from one painting to the next, therefore opening up the possibility of paint in its many forms to intercede, creating surprising and accidental surfaces that both contradict and reveal the image. I have also included a number of earlier works of architectural models and prototypes, where the approach/technique is clearly quite different.
Artist featured by Saatchi Art in a collection
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