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On the terrace at noon. 
Memories are pouring in. I don't even know what I see. Fatamorgana maybe, or it's really her.
It is painted with cover colors. 
Graphism is like a logo. The atmosphere of postmodernism. With small irregular surfaces in vivid colors, the two-dimensional surface is transformed into a vibrant one.
the canvas is stretched on a wooden frame and is ready to be hung on the wall
On the terrace at noon. 
Memories are pouring in. I don't even know what I see. Fatamorgana maybe, or it's really her.
It is painted with cover colors. 
Graphism is like a logo. The atmosphere of postmodernism. With small irregular surfaces in vivid colors, the two-dimensional surface is transformed into a vibrant one.
the canvas is stretched on a wooden frame and is ready to be hung on the wall
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noon vision Painting

Roko Ivanda

Croatia

Painting, Acrylic on Canvas

Size: 39.4 W x 27.6 H x 0.8 D in

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173 Views
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About The Artwork

On the terrace at noon. Memories are pouring in. I don't even know what I see. Fatamorgana maybe, or it's really her. It is painted with cover colors. Graphism is like a logo. The atmosphere of postmodernism. With small irregular surfaces in vivid colors, the two-dimensional surface is transformed into a vibrant one. the canvas is stretched on a wooden frame and is ready to be hung on the wall

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 27.6 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I live in the coastal town of Vodice, Croatia. Like many other Mediterranean cities, it really lives in the summer. That is why my artwork is tied to that rhythm. For 30 years of my career, I have been to Atelier in the winter. In peace, outside the mainstream, I create new and new cycles. Of course I work in an olive grove for a vacation. In the summer I do an exhibition in my gallery Ispo Kanpanela Under the Belfry in downtown Vodice. There I have good communication with many audiences. In artistic terms, I was formatted in the 80s.

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