VIEW IN MY ROOM
Italy
Painting, Oil on Canvas
Size: 49.2 W x 63 H x 2 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
What determines the human, what allows us to define what are the signs, the nuances and characteristics? The work speaks of the transformation of man, the physical one that is expressed in various ways through the scalpel, but also the interior of a humanity confused. the bodies and the faces we show anxiety, manipulation scenarios. I like to talk about mutation, forward flight, of reflection, of contradiction, of contamination. The sense of transition, however, is that better expresses the spirit of these faces and these bodies, their ambiguous forms and generally indefinite fusion of the sexes seems to tick. Transit, a parenthesis of continuous motion. The judgment should vanish, has no reason to exist, and it is the only thing in this fallacious transit.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:49.2 W x 63 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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GIORGIO PIGNOTTI Nato a / Born in / Ascoli Piceno nel 1979, vive e lavora / live and works in / ad Ascoli Piceno STATEMENT Ammetto l'atto pittorico come epigono della vita, con le sue immagini e le sue stratificazioni. Lo affermo, ma alla fine riconosco anche l'opposto. È il dubbio il cardine attorno al quale muovo la mia pratica. L'ambiguo può celare una rivelazione. Sulla tela compaiono tracce che non sono mai la conferma di aver scovato qualcosa. Sono la testimonianza di una rimozione, di un occultamento. Sono l'apparire di una serie di ipotesi. La necessità dell'atto di dipingere mi spinge a edificare una superficie dove costruisco un tempo attraverso le continue rimozioni e gli accumuli di pittura. L'immagine pittorica oscilla così in una realtà nomade, vive in un tempo indefinibile che trovo familiare. Leggere le teorie di Bergson sul processo di recupero dei ricordi mi ha aiutato a costruire stratificazioni di immagini non pure, cangianti e inaffidabili. Immagini che la percezione articola in una serie di rappresentazioni visceralmente dipendenti dall’esperienza, segni epifanici che lasciano presagire una qualche possibilità in divenire ma che non vogliono ammettere una realtà permanente, sondabile e descrivibile. Statement "I build layers of images , unreliable , that perception comprises in a series of representations, viscerally employees by experience. by epiphanic signes that portend some possibilities in the making , but who do not want to admit a reality completely sondabile or definable"
Artist featured by Saatchi Art in a collection
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