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Purple Trolleybus Painting

Andrej Vystropov

Czech Republic

Painting, Oil on Canvas

Size: 59.1 W x 43.3 H x 1.2 D in

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$61,000

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About The Artwork

Painting Purple Trolleybus caused disputes in the audience. Someone considered its color too complicated. The subject seemed rather unreal to someone. A poster austerity may indeed have its place. But the character of the personalities in the painting did not lose a bit of their intensity and expressiveness. In a window of a stopped trolleybus we recognize the artist’s favorite personalities: the girl with a book, a clever-looking person deep in his thoughts, and reflection of windows of buildings in the opposite street. Nearby the trolley-bus, crowded with passengers, out of nowhere Don Quix-ote and his faithful squire Sancho Panza appeared. Their figures are ‘pinned down’ to the fore-ground and are sharpened highlighted by the light. Sancho Panza is screaming in panic, pushing his hands on the glass. Don Quixote remains proud and full with dignity. The artist enters an opened door with his artist case on his shoulder and a child in his hands. Nobody notices imme-diately that the trolley-bus does not go anywhere – wires are lowered, there is no power. There is a number 2009 written on the window glass. It is the year of the creation of the painting which generalized many author’s experiences, his philosophical meditations about the present, about the loneliness of the creator in the surrounding world and about tolerance. As usual there are no concretely unpleasant images. On the contrary, each character is nice to the viewer. But then where is a sense of anxiety born from? From the fear of Sancho Panza, caught in the ‘demonic’ tightness; from the fanatical Don Quixote’s determination to ‘go to the end’; or from grief in the boy’s eyes? The passengers, like the rushing people unable to see the walking Christ, cannot no-tice the presence of the picturesque persons. A sense of psychological disharmony is enhanced by color of the painting, based on the combination of emerald-green and violet tones.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:59.1 W x 43.3 H x 1.2 D in

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Andrej Vystropov (26.12.1961) belongs to a generation of Russian painters whose maturing art is fast becoming widely acclaimed not only in their own birth country but also on the European art scene. Andrej had emerged from the balmy bubble of St. Petersburg's prestigious Academy of Fine Arts into painful reality in the early 1990s; now, a decade of enormous talent and will power later, he is the darling of reputable art dealers, curators, wealthy patrons and art-loving neophytes alike. Andrej's meteor-like ascendance into the rarified world of high art is founded on an exceptionally vivid and moving way of communicating with the audience. At the heart of his success is a compelling, meticulous technique which shows affinity the technique of great renaissance masters whose fabled collection of works he had had the opportunity to study in the State Hermitage of St. Petersburg. Andrej's oils are famous for their realistic rendition of their themes, achieved by faithful attention to even the slightest detail and remarkable sensitivity to the powerful interplay-dreamy at times, and harsh and brutal at others-of light and color. The message is delivered via symbolism; seemingly incongruous objects, symbols of parts, are combined into a meaningful whole that speaks to the viewer from within the artist's experience. Each painted figure, and each object, has its place and its role in the composite. The end result provokes continuous search for the meaning, all the meanings, of the reality represented by the artist. Andrej Vystropov is not an easily understood artist. His realistic paintings challenge the viewer to seek out the core of our existence, with all its beauty and all its problems clothed in irony and skepticism. The deep scrutiny is reinforced by superb painting technique, intriguing composition, and sexy combination of color, all of which form the artist's compelling signature that never fails to engage the viewer. Andrej Vystropov is a Russian to the core, but his art is timeless and boundless, and so personal. It's a mirror in which we can each see ourselves as we are. This intimate connection between artist and viewer is the reason why Andrey's art is in such great demand both at home and abroad.

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