VIEW IN MY ROOM
Russel C._ See Naples and die Painting
Italy
Painting, Acrylic on Canvas
Size: 30.7 W x 47.2 H x 1.2 D in
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About The Artwork
Ritratto di Russel C. con slogan "Vedi Napoli e poi muori". "Vedi Napoli e poi muori" è uno dei modi di dire più famosi legati alla città di Napoli. L'origine della frase la si deve a Johann Wolfgang von Goethe che, in visita nella città, innamorato delle sue bellezze paesaggistiche, architettoniche e culturali, disse "Siehe Neapel und stirb - Vedi Napoli e poi muori", quindi Russell come Goethe consiglia a tutti di vedere Napoli almeno una volta nella vita, perché Napoli trasforma le persone e le migliora, in un contesto magico che unisce le meraviglie dei luoghi al calore della sua gente. Portrait of Russel C. with slogan "See Naples and then die". "See Naples and then die" is one of the most famous sayings related to the city of Naples. The origin of the phrase is due to Johann Wolfgang von Goethe who, visiting the city, in love with its landscape, architectural and cultural beauties, said "Siehe Neapel und stirb - See Naples and then die", therefore Russell like Goethe recommends everyone to see Naples at least once in their life, because Naples transforms people and improves them, in a magical context that combines the wonders of the places with the warmth of its people.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:30.7 W x 47.2 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Fiorentina Giannotta (New York, 1964). www.fiorentinagiannotta.com So the dreams, apparitions, and thoughts that crowd our minds when waking early in the morning, in a widespread ironic visionary that only passion can make real. But also figures to read as illustrations and testimonies of an era beyond any possible anecdotal descriptiveness, recalling that in the end, of what is seen here, is some sort of approval of the image. Fiorentina Giannotta, through printing, always draws from her archives, including specific choices and defined references, arriving at a solution that as the artist says “are inspired by great painters, from novels and fiction”, in a widespread vision that becomes a work of art that overcomes the concept of form. Thanks also to a particular mastery in the representation of physiognomic, in compliance with the wildest imagination and subtle alliance between material and color that only light can make concrete. And the characters, as though surrounded by a crowd of signs and drawings that appear as a floral presence multiplied by infinity, between pattern and decor, are beautifully displayed in bright colors of industrial paints and Nissan green. www.fiorentinagiannotta.com
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