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Belgium
Painting, Acrylic on Canvas
Size: 23.6 W x 39.4 H x 0.4 D in
Ships in a Crate
Carmén Hernández Mardones / Critical Curator de Latin American Arte [Encristao/ Room RG Celarg 2000] Sergio Rangel recognizes that the image in itself does not own any power. It is the glance the one that as much attributes of communication or symbolic value to him in constructs exhibited to constant history’s changes partner, visible as much in the artistic forms of our time like the mink of the asylum. It is as well as it can think that its work also reaches Latin American, oscillating the modern subject between an imaginary hybrid and a model of productivity sustained in a series of norms that defined the good and the evil, the moral and the immoral thing, weakening all impulse of the symbol waste and material in favor of the economy that reach all the you order of the social life, especially, the body. In some of the poems of this creating the necessity to surpass the economy of the enjoyment that could be extended to the monk and the artistic thing: “I am incessant meat, vulgar matter I own glorification for my ego mined determines and conditions in the cosmos, but in the end I end up rendering me to the erectile sensation of clearly a dark sight through a skirt“ © Rangel_1998 Between Skins|
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 39.4 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Belgium.
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Belgium
Rangel Penzo Sergio [Barcelona, 1969] Born in family of great cultural tradition flamenco Christian, the Rangel-Manrique from 1912 stages the sacramental acts of the Living Passion in Mérida, Venezuela. His paternal grandfathers Victor owned the gift of music and its grandmother " Doña Carmen" the one of the health. On the other hand she acquires as inheritance of the Penzo-Dorante an ample knowledge of the art and the photography. Of the hand his uncle the Venezuelan film director Jacobo Penzo discovers the world of the image, with him shares practically all their childhood in this way is generated a species of complicity where the factory of work of its uncle is transformed into its space of daily game, Rolle Flex Planar 1: 3.5 in its eye, the imaginary friendly tripods, Nietzsche in the turn advisor and the unfinished Purgatorio of Arthur Michelena in the future dream.
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