VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 23.6 W x 23.6 H x 1.4 D in
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For every sound that you hear there is a range of frequencies that exist above and below that contribute to the strength and colour of that sound. Naturally occurring harmonies.The clearest example of this is when you walk under a small arched bridge and whistle or sing a scale of notes. You will soon notice one note above all the others is louder. Another example is if you are in a restaurant or cafe, and outside a large truck goes past. The window will vibrate. Sometimes violently. The large pane of glass is simply the correct size and density so as to be in sympathetic harmony with that low frequency of the truck's engine. The same phenomenon can be said of colour. We are surrounded by the subtle world of sympathetic harmonic resonance.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 23.6 H x 1.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I once scaled the walls of an abandoned section of the Cliveden estate, England. Having recently acquired a decent 35mm camera I was keen to document that hidden world beyond the high security fences. The place had fallen into an advanced state of disrepair in its eleven year abandonment and a definite feeling of other-worldliness pervaded the entire place. I guess I wasn’t as stealthy as I’d have liked for I was soon caught by a security guard - who, instead of reporting me to the police - kindly permitted me another hour of exploration in that strange and silent place where nature had triumphed in claiming back what mankind had put there. It was this singular event that has sustained itself in my memory as though it were the purest of chords struck. Half a lifetime on and with visits to cities such as Venice, and Valletta - with their myriad layers of deep history on view - this obsession with mysterious atmospheres, weathered texture and the more subtle beauty of nature has only grown further still. The compositions in many of my works are typically led by instinct and feeling. The end results rarely adhering to any initial preconception I may have had, with each piece seeming as though to develop a will of its own during the process. A process that brings with it a curious state in which I am transformed from humble applier of paint to enthralled voyeur.
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