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The Lost Woods Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 30 H x 0.5 D in

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$1,400

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About The Artwork

"Northwestern Hyrule was heavily wooded. It was dark and dreary, so few people ventured in, but those who did often fell victim to thieves. An old legend retold by the village elders claimed that the Master Sword lay waiting in the woods for one who was worthy of it." "For as long as most Hyruleans could recall, a dark mist had cloaked the Lost Woods. Thieves found it a fitting place to hide out, but aside from them, the woods were home to animals only. People seeking Mushrooms for medicinal potions sometimes dared enter, but they didn't stay long. Some reported finding swords in the woods." "When the Master Sword was retrieved, the dark mist suddenly cleared and warm sunshine bathed the woods for the first time in many years." --A Link to the Past Nintendo Player's Guide The Lost Woods are a set of mist filled woods that cover the top-left corner of the map in A Link to the Past. It's full of thieves, distrustful animals, counterfeit swords, Mushrooms, pitfalls and tunnels. But, most of all, it holds the true Master Sword. Even if Link finds it, he will not be able obtain it until he has all three Pendants of Virtue to prove that he is the Hero of Legend. Source: Zelda Dungeon The Legend of Zelda: A Link to the Past is an action-adventure game developed and published by Nintendo for the Super Nintendo Entertainment System. It is the third game in The Legend of Zelda series and was released in 1991 in Japan and 1992 in North America and Europe. The story is officially set many years before the events of the first two Zelda games. The player assumes the role of Link as he journeys to save Hyrule, defeat the demon king Ganon, and rescue the descendants of the Seven Sages. It returns to a top-down perspective similar to the original The Legend of Zelda, dropping the side-scrolling gameplay of Zelda II: The Adventure of Link. It introduced series staples such as parallel worlds and items including the Master Sword. 
 Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 30 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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