VIEW IN MY ROOM
The Subliminal Diary Of A Repatriate, Chapter I Painting
Croatia
Painting, Tempera on Plastic
Size: 13.7 W x 9.8 H x 0.1 D in
Ships in a Crate
About The Artwork
In the green attic of countless treetops, I'm at home, you see me, you black-headed devil. I climbed up scarcely, right? You hardly blinked! It's a jungle up here among the vines. I finally found the end, a two-dimensional disintegration 'hole'. Mysterious paths I have watched through plastic Asian buses still led back to the miracle. I'm shorn, hallowed, I've grown a tail. I still have to dig away the vegetation. The sun is outreaching in a raster. How horned you stood among the flowers and coldly observed the cracking of the tiled barkness underneath my claws and the moment when a tuberous node resembling a tiny deity broke off the frieze beneath my foot. You remained on the floor with the daffodils and the lilies, eh? You're watching from below? It's a nursery, and you are a sweet caries. Well, that makes a complete impression out of life, in a few moments, the feeling that follows me since the beginning will get explained, a dream always dreamed! But, then a giant squirrel attacks me...
Original Created:2015
Subjects:Fantasy
Details & Dimensions
Painting:Tempera on Plastic
Original:One-of-a-kind Artwork
Size:13.7 W x 9.8 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Croatia.
Customs:Shipments from Croatia may experience delays due to country's regulations for exporting valuable artworks.
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Croatia
I was born in 1984 in Zagreb. And drew like all the other kids, maybe a bit better than the rest of them. I was especially turned on by complicated textures and repeating patterns, like roof tiles on houses, branches on trees that branch further on and on, as long as my pen can take it. Fascinated by perspective, I considered it too difficult for me, I drew everything flat. At ten or eleven I got obsessively interested in cartography, on every mudge I knew where to put a port town protected from sea currents and waves, and spots on stains would clearly be lakes or massifs, I admired the accidental design of the coastline. Particularly thrilling are city maps, logic of forming streets and squares, laying the habitant space over the nature given configuration.
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