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View in a Room ArtworkView in a Room Background
Dimensions: 170 x 100 cm, 2 cm thick

Technique: Acrylic on canvas
Varnish: no

Ready to hang, sides painted in painting tonation, doesn’t require framing
Signed on front (bottom right corner - „Lukasz Olek” logo) and back (bottom right corner - „Łukasz Olek, „Winter's bone”, 2019”)


Possible to order in different dimension / colour tones

This piece is from "Blinkered" series which i'm currently working on. You can read about the idea below

Blinkered - having or showing a narrow or limited outlook
 
Blinkered is a section of the world seen through a photographic lens and translated into the language of abstract painting by the debuting painter Łukasz Olek. The photographic way of presenting, based on compositional sharpness and precision and accompanied with painterly spontaneity, is an original record of reality that balances at the interface of painting and photography.
 
The presented works are landscapes. The heterogeneous, but at the same time distinctive scrap of space has been narrowed down to just a few pixels, and then magnified to a large-format image. The figurative is therefore reduced to its basic and most crucial formal essence.
 
Painting, unlike photography, gives viewers the opportunity to observe the creative process, which intentionally initiates a form of dialogue. Here, we can see large-format canvases painted over several or dozen times, with wide strips of cool and intense colours with rough and ragged edges. The alternate use of glaze and impasto reveals the following layers of the image going as far deep as its foundation. The great care with which paints have been applied to obtain spatial elements in the texture of the background brings from the works inhomogeneous, albeit intense light, which further emphasizes their vibrating colouristics. However, these subtle dissolving forms are often violently overlapped with aggressive visual effects, such as the application of a thick layer of paint with a knife, wiping or gouging.
 
Application of these technical measures allows the viewers to engage in aesthetic vivisection of the work and invites them to inspect the hidden details on the surface. It has the effect of dualistic perception where large-format images draw the attention as close to the detail as possible.
 
The craftmanship follows the power of careful observation. The artist extracts selected elements from a scrap of reality and subjects them to deconstruction by playing with basic formal values such as size, colour or structure. The resulting works entice the viewer with their aesthetics and induce a state of visual contemplation.
Dimensions: 170 x 100 cm, 2 cm thick

Technique: Acrylic on canvas
Varnish: no

Ready to hang, sides painted in painting tonation, doesn’t require framing
Signed on front (bottom right corner - „Lukasz Olek” logo) and back (bottom right corner - „Łukasz Olek, „Winter's bone”, 2019”)


Possible to order in different dimension / colour tones

This piece is from "Blinkered" series which i'm currently working on. You can read about the idea below

Blinkered - having or showing a narrow or limited outlook
 
Blinkered is a section of the world seen through a photographic lens and translated into the language of abstract painting by the debuting painter Łukasz Olek. The photographic way of presenting, based on compositional sharpness and precision and accompanied with painterly spontaneity, is an original record of reality that balances at the interface of painting and photography.
 
The presented works are landscapes. The heterogeneous, but at the same time distinctive scrap of space has been narrowed down to just a few pixels, and then magnified to a large-format image. The figurative is therefore reduced to its basic and most crucial formal essence.
 
Painting, unlike photography, gives viewers the opportunity to observe the creative process, which intentionally initiates a form of dialogue. Here, we can see large-format canvases painted over several or dozen times, with wide strips of cool and intense colours with rough and ragged edges. The alternate use of glaze and impasto reveals the following layers of the image going as far deep as its foundation. The great care with which paints have been applied to obtain spatial elements in the texture of the background brings from the works inhomogeneous, albeit intense light, which further emphasizes their vibrating colouristics. However, these subtle dissolving forms are often violently overlapped with aggressive visual effects, such as the application of a thick layer of paint with a knife, wiping or gouging.
 
Application of these technical measures allows the viewers to engage in aesthetic vivisection of the work and invites them to inspect the hidden details on the surface. It has the effect of dualistic perception where large-format images draw the attention as close to the detail as possible.
 
The craftmanship follows the power of careful observation. The artist extracts selected elements from a scrap of reality and subjects them to deconstruction by playing with basic formal values such as size, colour or structure. The resulting works entice the viewer with their aesthetics and induce a state of visual contemplation.
Dimensions: 170 x 100 cm, 2 cm thick

Technique: Acrylic on canvas
Varnish: no

Ready to hang, sides painted in painting tonation, doesn’t require framing
Signed on front (bottom right corner - „Lukasz Olek” logo) and back (bottom right corner - „Łukasz Olek, „Winter's bone”, 2019”)


Possible to order in different dimension / colour tones

This piece is from "Blinkered" series which i'm currently working on. You can read about the idea below

Blinkered - having or showing a narrow or limited outlook
 
Blinkered is a section of the world seen through a photographic lens and translated into the language of abstract painting by the debuting painter Łukasz Olek. The photographic way of presenting, based on compositional sharpness and precision and accompanied with painterly spontaneity, is an original record of reality that balances at the interface of painting and photography.
 
The presented works are landscapes. The heterogeneous, but at the same time distinctive scrap of space has been narrowed down to just a few pixels, and then magnified to a large-format image. The figurative is therefore reduced to its basic and most crucial formal essence.
 
Painting, unlike photography, gives viewers the opportunity to observe the creative process, which intentionally initiates a form of dialogue. Here, we can see large-format canvases painted over several or dozen times, with wide strips of cool and intense colours with rough and ragged edges. The alternate use of glaze and impasto reveals the following layers of the image going as far deep as its foundation. The great care with which paints have been applied to obtain spatial elements in the texture of the background brings from the works inhomogeneous, albeit intense light, which further emphasizes their vibrating colouristics. However, these subtle dissolving forms are often violently overlapped with aggressive visual effects, such as the application of a thick layer of paint with a knife, wiping or gouging.
 
Application of these technical measures allows the viewers to engage in aesthetic vivisection of the work and invites them to inspect the hidden details on the surface. It has the effect of dualistic perception where large-format images draw the attention as close to the detail as possible.
 
The craftmanship follows the power of careful observation. The artist extracts selected elements from a scrap of reality and subjects them to deconstruction by playing with basic formal values such as size, colour or structure. The resulting works entice the viewer with their aesthetics and induce a state of visual contemplation.
Dimensions: 170 x 100 cm, 2 cm thick

Technique: Acrylic on canvas
Varnish: no

Ready to hang, sides painted in painting tonation, doesn’t require framing
Signed on front (bottom right corner - „Lukasz Olek” logo) and back (bottom right corner - „Łukasz Olek, „Winter's bone”, 2019”)


Possible to order in different dimension / colour tones

This piece is from "Blinkered" series which i'm currently working on. You can read about the idea below

Blinkered - having or showing a narrow or limited outlook
 
Blinkered is a section of the world seen through a photographic lens and translated into the language of abstract painting by the debuting painter Łukasz Olek. The photographic way of presenting, based on compositional sharpness and precision and accompanied with painterly spontaneity, is an original record of reality that balances at the interface of painting and photography.
 
The presented works are landscapes. The heterogeneous, but at the same time distinctive scrap of space has been narrowed down to just a few pixels, and then magnified to a large-format image. The figurative is therefore reduced to its basic and most crucial formal essence.
 
Painting, unlike photography, gives viewers the opportunity to observe the creative process, which intentionally initiates a form of dialogue. Here, we can see large-format canvases painted over several or dozen times, with wide strips of cool and intense colours with rough and ragged edges. The alternate use of glaze and impasto reveals the following layers of the image going as far deep as its foundation. The great care with which paints have been applied to obtain spatial elements in the texture of the background brings from the works inhomogeneous, albeit intense light, which further emphasizes their vibrating colouristics. However, these subtle dissolving forms are often violently overlapped with aggressive visual effects, such as the application of a thick layer of paint with a knife, wiping or gouging.
 
Application of these technical measures allows the viewers to engage in aesthetic vivisection of the work and invites them to inspect the hidden details on the surface. It has the effect of dualistic perception where large-format images draw the attention as close to the detail as possible.
 
The craftmanship follows the power of careful observation. The artist extracts selected elements from a scrap of reality and subjects them to deconstruction by playing with basic formal values such as size, colour or structure. The resulting works entice the viewer with their aesthetics and induce a state of visual contemplation.
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VIEW IN MY ROOM

Winter's bone Painting

Lukasz Olek

Poland

Painting, Acrylic on Canvas

Size: 39.4 W x 66.9 H x 0.8 D in

Ships in a Crate

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SOLD
Originally listed for $3,110
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259 Views
28

Artist Recognition

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Artist featured in a collection

About The Artwork

Dimensions: 170 x 100 cm, 2 cm thick Technique: Acrylic on canvas Varnish: no Ready to hang, sides painted in painting tonation, doesn’t require framing Signed on front (bottom right corner - „Lukasz Olek” logo) and back (bottom right corner - „Łukasz Olek, „Winter's bone”, 2019”) Blinkered - having or showing a narrow or limited outlook Blinkered is a section of the world seen through a photographic lens and translated into the language of abstract painting. The photographic way of presenting, based on compositional sharpness and precision and accompanied with painterly spontaneity, is an original record of reality that balances at the interface of painting and photography. The presented works are landscapes. The heterogeneous, but at the same time distinctive scrap of space has been narrowed down to just a few pixels, and then magnified to a large-format image. The figurative is therefore reduced to its basic and most crucial formal essence. Painting, unlike photography, gives viewers the opportunity to observe the creative process, which intentionally initiates a form of dialogue. Here, we can see large-format canvases painted over several or dozen times, with wide strips of cool and intense colours with rough and ragged edges. The alternate use of glaze and impasto reveals the following layers of the image going as far deep as its foundation. The great care with which paints have been applied to obtain spatial elements in the texture of the background brings from the works inhomogeneous, albeit intense light, which further emphasizes their vibrating colouristics. However, these subtle dissolving forms are often violently overlapped with aggressive visual effects, such as the application of a thick layer of paint with a knife, wiping or gouging. Application of these technical measures allows the viewers to engage in aesthetic vivisection of the work and invites them to inspect the hidden details on the surface. It has the effect of dualistic perception where large-format images draw the attention as close to the detail as possible. The craftmanship follows the power of careful observation. The artist extracts selected elements from a scrap of reality and subjects them to deconstruction by playing with basic formal values such as size, colour or structure. The resulting works entice the viewer with their aesthetics and induce a state of visual contemplation.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 66.9 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Łukasz Olek: Synthesis of Reality, Memories, and Abstraction The paintings of Łukasz Olek invite us to experience the world as seen through his eyes—a world in which each landscape is a personal study of memories, emotions, and the transient beauty of the surroundings. Born in Warsaw in 1982, he has frequently exhibited his paintings in prestigious galleries worldwide. He is represented by galleries in Poland, the United States, France, Japan, Korea, and Australia, reflecting his growing international recognition. The artist also regularly participates in art fairs, including in London, New York, Amsterdam, Warsaw, and Paris. His works have found several hundred buyers from around the globe. Olek's works are a synthesis of landscape fragments, reducing them to their elementary forms of color, light, and texture. His approach to painting is deeply personal, capturing not only the essence of the visual world but also the intimate feelings of the artist himself. His works are an introspective journey, vivid memories stretched across the canvas, and each title is a tribute to the music that accompanied him during the creative process. This synesthetic interaction of color, sound, and memory gives his works an extraordinary sensuality and immediacy. A consistent, ongoing exploration of the fragmentary landscape invites us into a world where each painting is a universe itself. Artist Statement Do you like getting lost on purpose? I love it. I always prefer local roads to the highway, and they usually lead me to the most interesting places. Usually, the landscapes I paint come to life as a result of me getting literally lost. There, at the very end of the map, in peace and solitude, I can reflect on the surrounding world. And then, back at the studio, I look for ways to transfer my impressions onto the canvas. It is always my paramount goal: to imbue the painting with the emotions, forms, colours or, sometimes, even the after-images that place had left within me. When creating, I like to get lost in various ways, looking for and testing new media, forms and techniques. Sometimes, from that momentary chaos, things emerge which stand in opposition to the calming landscapes which have inspired me. Surreal demons appear that dwell in most of us, under the skin or deeper within. I see art as a road that takes me somewhere. That road is my meditation and a way to achieve peace.

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