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30x60 Print mount to acrylic, 2x framed, linen mat
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VIEW IN MY ROOM

Everlasting Road Photograph - Limited Edition of 250

Phil Crawshay

United States

Photography, Color on Paper

Size: 60 W x 30 H x 0.1 D in

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$1,199

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About The Artwork

Known as 'Forrest Gump Point', this iconic view is the part where Forrest Gump stops running. It has also been used in many other movies and is an unforgettable view. This particular shot proved to be very challenging as many minutes are needed to take such a large panorama due to the multi image nature of the photograph. The main issue here being that you need to be in the middle of the road to get the right angle. Sunrise is also the best time to photograph this scene as the Mitten Buttes are illuminated by the rising sun. This also has the advantage of being quieter than peak times, nevertheless, there were still many people there all competing to get the best capture. My photography is very unique. I only shoot large format using a computerized robotic mount that takes the image in a series of tiles that are later joined together to create a super high resolution panorama. The resulting image can be printed at extremely large sizes whilst still maintaining ultimate clarity and detail. This method also allows the image to be distortion free as only the best part of the captured image are used in the final joining resulting in a flawless image. Many people have said that my images are so detailed and vibrant that it is like looking out of a window. This is especially true of a large format print like this that completely immerses you in the scene. Additionally, I print on a fine art metallic paper which greatly enhances the look, giving the piece a shimmer that greatly enhances the colors and depth.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:250

Size:60 W x 30 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a photographer specializing in very large format work. I have an obsession with producing an image with insane amounts of detail no matter how big the finished print will be. I use a selection of specialist equipment to achieve this goal and strive to provide a finished item that is almost like being there. Nearly all of my work is fused to the rear of acrylic which gives it an almost three dimensional appearance and I have been told it is like looking out of a window.

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