VIEW IN MY ROOM
Australia
Photography, Digital on Paper
Size: 33.1 W x 23.2 H x 0.4 D in
Ships in a Box
Shipping included
"My city train window presents me with stunning, ephemeral composites of nature, architecture and characteristic urban textures that strike me as abstract industrial art I am compelled to make tangible. The sky's blues, oranges and pinks mesh with overhead power lines and surge into concrete and glass, birthing new shapes and patterns that surprise and please. I am also reminded of Einstein's theory on the relative nature of space and time, where a train window view is a reference point in explanations on the subject. Welcome to my abstract city." #Melbourne The Urban Mesh Limited Edition series comes in large-format A1 size (59.4 x 84.1cm), museum-grade giclee prints in Hahnemuhle William Turner matt fine art textured mould-paper, 100% cotton, 310gsm. Vibrant prints, striking depth, unique tactile feel and painterly three-dimensional effect. Signed and numbered artworks. For larger A0 production sizes (84.1 cm x 118.9 cm) please contact the artist on her website MagdaleneCarmen.com
Original Created:2018
Subjects:Architecture
Photography:Digital on Paper
Artist Produced Limited Edition of:125
Size:33.1 W x 23.2 H x 0.4 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
Abstract, bold signature merging dream & street grit, fine art x industrial pop aesthetics, sensitive with provocative signification. Urban-architectural & Woman (self-portraits) are primary subjects. Media = digital photography, graphics, visual effects including the generative, advertising codes, English lingo, her body language. __ Magdalene Carmen introduced first works from her Limited Edition 'Addict' flag-collage series in a teaser, pop-arty film screening at ‘The Body Language 2022’ in Venice, Italy & the London Contemporary Art Fair. The 'Addict' series, once completed, will comprise 12-32 works (or possibly be ongoing) on the eternal subject of the corporeal-spiritual, conscious-unconscious tug of war defining the human condition. And then also its articulation of female power in literal form & metaphor. __ In 2020 Magdalene Carmen was among just six visual artists with tandem artworks selected for Australia's inaugural billboard art show cheekily running between commercial advertising on two iconic billboards across Flinders Street Station, 'demonstrating the dynamic relationship between contemporary art & urban street culture'. In 2021 the show was adapted for the Big Screen at Federation Square. __ First works from her 'Urban Mesh' (Limited Edition) & 'Sign-Offs' (Open Edition) series comprised Magdalene Carmen's first solo exhibition in Melbourne in mid-2018. Magdalene Carmen regularly exhibits at Melbourne's Centre for Contemporary Photography National Salon Shows celebrating contemporary Australian practice. Ongoing work include further indie projects for Melbourne's Fed Square space & participation in international exhibitions. Besides visual artist, Magdalene is also published poet & indie recording artist. Her formal education has been creative writing + journalism, photography + fashion design.
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