VIEW IN MY ROOM
United Kingdom
Printmaking, Etching on Other
Size: 6.9 W x 9.8 H x 0 D in
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This is a print made up of a few suffragette African American woman. The image celebrates the unknown women from the past who fought not only for the rights to be recognised as African Americans, but also to raise the rights of women to have the vote. Each of the women in this image are taken from images of little known or unknown women from the USA found in archival photo libraries. These etchings keep alive their contribution to society and contribute to the phrase: Injustice for some is an injustice for all. The image has been drawn delicately, using a range of crosshatching to form the images, seeking a balance between the main image and those that are not quite fully formed. The print continues the ongoing project Lost Generations series of works #lostgenerations. The ink is oil based printing ink and is a mix of drypoint black, prussian blue and carbon black, allowing for a softer black ink print. Materials used: Zinc etching, oil based printing ink on fabriano.
Printmaking:Etching on Other
Artist Produced Limited Edition of:10
Size:6.9 W x 9.8 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My work currently explores fragility through layering and entropy. It responds to history, memory, the landscape and the human condition. These semi-abstract glimpses are drawn from observation when travelling, gathering images through sketching, photography and my memory. Paintings are layered over time as expressive moments of colour, line, print, masking, text, scrawled marks and memory. These form multi-layered paintings that are sanded back, revealing sections from the previous layers, now interacting with one another as a memorialised glimpsed journey. These journeys are inspired by research I’ve pursued from 2013-16. When attending residencies in Cyprus and Spain, I began re-exploring my relationship with the landscape; local and national histories; mythology; geology; pigments; various visiting cultures, their religions, and entropy. These ideas eventually lead to an interest in the effects of imperialism (2017), slavery (2018), lost generations (2019), the suffragette and civil rights movements (2020—21), other obscured histories and the culturally ignored (2022-present). Many aspects of these intersect and juxtapose with one another within my work, expressing memorial observations of history and landscape. These seek to enable an opportunity to investigate and explore previously obscured histories, through this form of landscape painting. *********************** Adam has travelled around the world delivering workshops and attending residencies in India, Mexico, Spain and Cyprus. His work exists in many collections around the world including Taiwan, Australia, USA, UK, France, Monaco, Italy, Czech Republic, Germany and includes commissioned work for the Malaca Instituto in Malaga and The World Reimagined with the globe titled 'Legacy: Echoes in the Present'. Grose runs a variety of workshops based on painting and printmaking, grounded in drawing skills and observation. He is a committee member of Go Create, an Artist Network member of the Royal West of England Academy in Bristol and a member of Axisweb.
Artist featured by Saatchi Art in a collection
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