VIEW IN MY ROOM
Germany
Sculpture, Paper mache on Cardboard
Size: 59.1 W x 59.1 H x 3.1 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
Description: Circles and squares have always been symbolic shapes of order, embodying the purity, the beauty of an immanent law, witnessing the unity of nature and works of man as creations made by human beings. An inner correlation of thought and form conveys this effect. The circle is the most secluded shape. Its curvature always remains the same, nothing remains to be said, it reaches out multilaterally, creating an enclosed space, as void of direction as the outside, which seems completely open and undefined. The circle denies all bonds with other shapes, thus constituting the epitome of elementary shapes. / Dr. Ullrich Hartung from CIRCLES
Sculpture:Paper mache on Cardboard
Original:One-of-a-kind Artwork
Size:59.1 W x 59.1 H x 3.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
# born in Dresden, Germany # lives and works in Dresden and Berlin # Educational Journey to Crete, Greece # Seminars in Salzburg: Artistic Essentials, Painting, Graphic Arts # Educational Journeys to Crimea and the Ukraine # EU Scholarship in Lanzarote, Spain # Scholarship New York City # When her first-born daughter Clara died in the 1990s, the imagery of the circle turned into a highly personal part of her creative work. # Suess began reeling up oversized wheels. Resembling landscapes and earth structures, the rough and smooth surfaces appear to lead into infinity, like the lifeline of a never-ending story. The heavy objects, sometimes over a meter in diameter, were placed behind white, silky Japanese paper where they assumed an almost hovering lightness. (written by Susann & Ulf Krueger from SQUARING THE CIRCLE) www.katrinsuess.com
Artist featured by Saatchi Art in a collection
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