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...to make sure there’s not an orbital debris issue Sculpture

Josefina Posch

Sweden

Sculpture, Wood on Wood

Size: 63 W x 40 H x 20 D in

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About The Artwork

The sculpture ”We are taking great pains to make sure there’s not an orbital debris issue” includes images from her collaborations with the artificial intelligence bot Midjourney, based upon the Elon Musk statement which is also the title of the work [1] regarding the SpaceX expansion. In my artistic research practice, I explore questions of ownership and responsibility for the (light) pollution caused by colonization, space tourism, and commercial space tech companies. Led by wealthy nations and private companies, this reflects the colonization of the Earth whose negative impact on the environment and cultures we have yet to come to terms with. It is estimated that there is already more than 200 000 kg of artificial material on the Moon, and the number of large pieces of debris in space is about 20 000. The starry sky we look upon nowadays is actually scattered with artificial lights which impossible for the bare eye to tell the difference.

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:63 W x 40 H x 20 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Josefina Posch in conversation with Yao Yan of ddm warehouse about her piece "Iceberg, right ahead!" part of the 52nd Venice Biennale 2007 Migration Addicts. Josefina Posch is born in Gothenburg Sweden where she is also based. She has been working with a plentitude of media from interactive new media installations, social events such as her collaboration with Michelangelo Pistolettos Love difference gelato or the Gibao Shadow puppet troupe in Shanghai to encompass video, sound, smell ,etchings and sculpture. Always present is her fascination for the paradox between the private and the public, the intellect and primal instincts and has described herself as a shy exhibitonist. During tha last few years she has shifted her focus from post colonial issues to investigating the body and figure in contemporary sculpture.

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